Showing posts with label Chintreuil (Antoine). Show all posts
Showing posts with label Chintreuil (Antoine). Show all posts

Friday, 5 April 2024

Adolphe Martial Potémont, “Pluie et Soleil”, 1874, after Antoine Chintreuil

Adolphe Martial Potémont (aka Adolphe Martial; Adolphe Théodore Jules Martial Potémont) (1828–1883)

“Pluie et Soleil” (Rain and Sun), 1874, after Antoine Chintreuil’s (1814–1873) painting, “Pluie et Soleil”, 1814–73, exhibited at the Paris Salon of 1873 (see page 48, cat. no. 294 [https://ia803002.us.archive.org/30/items/cataloguesofpari1873acad/cataloguesofpari1873acad.pdf] and now in the collection of the Musée d'Orsay (see https://en.wikipedia.org/wiki/File:Antoine_Chintreuil--Pluie_et_soleil.jpg), published and printed by Alfred Cadart (1828–1875) in Paris in 1874 as an illustration to “La Vie et l'Oeuvre de Chintreuil” (The Life and Work of Chintreuil), by Albert de la Fizelière et al. (see https://bibliotheque-numerique.inha.fr/idurl/1/18539 & https://www.britishmuseum.org/collection/object/P_1877-0414-708-749).

Interestingly, in the description of Chintreuil’s painting that Potémont’s etching reproduces, the Musée d'Orsay offers the following accolade given to it by a critic of the Paris Salon of 1873, Castagnary—a defender of Courbet and the realists: “…this Effect of rain and sun on the surface of this marsh where a few oxen graze on the short grass is truly admirable and it has an equal in the incandescent sky which drowns the entire landscape of low tide with its golden light” (https://www.musee-orsay.fr/fr/oeuvres/pluie-et-soleil-16668).

Etching on fine wove paper, trimmed with a margin around the image borderline and backed with a support sheet.

Size: (sheet) 14.9 x 26.3 cm; (image borderline) 11 x 23 cm.

Inscribed in plate below the image borderline: (left) “Imp Cadart”; (centre) “[artist’s monogram]/ PLUIE ET SOLEIL”; (right) “[indistinct] p. 24”.

Condition: a strong and well-printed impression, trimmed with a margin around the image borderline. There is a restored tear in the lower margin at left-of-centre and a lump/unevenness in the paper on the platemark at right, otherwise, the print is in a good condition with no significant stains and is laid onto a support of archival (millennium quality) washi paper providing wide margins.

I am selling this graphically striking etching of a dramatically dazzling and luminous effect of light, clouds and rain above marshlands punctuated with grazing cattle and a running herdsman, for AU$197 in total (currently US$129.60/EUR119.59/GBP102.65 at the time of posting this listing) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this finely etched landscape exemplifying the interest at the time in France in light and atmosphere heralding the dawn of Impressionism, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.










Friday, 23 September 2022

Adolphe Martial Potémont’s etching, “Chintreuil et Son Oeuvre”, 1874

Adolphe Martial Potémont (aka Adolphe Théodore Jules Martial Potémont) (1828–1883)

Chintreuil et Son Oeuvre (Chintreuil and His Work), 1874, illustration to Albert de la Fizelière (1819–1878), Fréderic Henriet (1826–1918) and Champfleury’s (1821–1889), “La Vie et l'Oeuvre de Chintreuil” (The Life and Work of Chintreuil), after the French painter and draughtsman, Antoine Chintreuil (1814–1873), published and printed in Paris by Alfred Cadart (1828–1875) in 1874.

BnF Gallica (Bibliothèque nationale de France) offer an online view of this print in its context in the publication: https://gallica.bnf.fr/ark:/12148/bpt6k9659592d/f67.item

Etching with plate tone on wove paper with full margins as published.

Size: (sheet) 44.7 x 29.2 cm; (plate) 26.2 x 20.1 cm; (image borderline) 24.1 x 18.8 cm.

Inscribed in plate within the image borderline: (upper left) “CHINTREUIL ET SON ŒUVRE.”

Inscribed in plate below the image borderline: (left) “Imp. Cadart”; (centre) “AP [ligature] M”.

Condition: a strong and well-printed (near faultless) impression in a near pristine condition with no tears, holes, folds, abrasions, stains, foxing or signs of handling.

I am selling this curiously wonderful etching translating in a trompe-l'œil arrangement, a painting by Antoine Chintreuil laid over a drawing, also by Chintreuil, featuring a water reflection of the artist at work on a painting, for AU$212 (currently US$139.66/EUR143.13/GBP125.20 at the time of posting this listing) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this very creative and beautiful etching, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold