Karel
Dujardin (aka
Karel Du Jardin; Carel Dujardin; Carel du Jardin; Bokkebaart) (1626–1678)
“Recumbent
Sheep by a Fallen Tree Trunk” (TIB title) (aka “Le mouton couché près du tronc
d’arbre”), c.1655, plate 36 (as inscribed in plate).
Etching on fine
laid paper trimmed along the platemark with a narrow margin around the image
borderline and backed with a support sheet.
Size: (sheet)
7.4 x 9.6 cm; (image borderline) 7.2 x 9.5 cm.
Inscribed in
plate: (upper-right corner [in reverse]): “K.D.I. fe”; (lower-right corner)
“36”.
State ii (of
ii) with the addition of the plate number.
TIB 1.36 (Leonard
J Slatkes [ed.] 1978, The Illustrated Bartsch: Netherlandish Artists, vol. 1,
New York, Abaris Books, p. 205, cat. no. 36); Hollstein 36 (F.W.H. Hollstein
1952, “Dutch and Flemish Etchings, Engravings and Woodcuts 1450–1700:
Douffet–Floris”, vol. 6, Amsterdam, Menno Hertzberger, cat. no. 36).
The British
Museum and the Rijksmuseum offer descriptions of this print: https://www.britishmuseum.org/collection/object/P_Sheepshanks-897;
https://id.rijksmuseum.nl/200127332.
Condition: a strong
and well-printed impression trimmed with a small margin around the image
borderline. The sheet is in an excellent condition with no tears, holes, folds,
abrasions or significant stains and is laid onto a sheet of archival
(millennium quality) washi paper providing wide margins.
I am offering
this sensitively executed etching of a sheep, which, to my eyes, appears
seemingly oblivious—or at least unbothered—by a squadron of flies hovering
above its head. My apologies if I am misinterpreting the sheep’s mindset, but
my reflection was inspired by recent research by Marjorie Coulon, Raymond
Nowak, and colleagues (2015), titled “Do Lambs Perceive Regular Human Stroking
as Pleasant? Behavior and Heart Rate Variability Analyses” (see https://doi.org/10.1371/journal.pone.0118617). I found it
fascinating to learn about the role of symmetry and ear positioning in
perception. The etching is priced at AU$292 (approximately US$190.14, EUR
163.42, or GBP 141.66), with worldwide express shipping included. Please note
that any applicable import duties are the buyer’s responsibility.
If you are
interested in acquiring this observant portrayal of a sheep—notice, for
example, how the artist has left a tiny gap around the sheep’s head to give a
sense of forward projection, or how the back foot appears “anchored” to the
ground with tufts of grass at the heavier areas and a delicate line along what
I believe is the cannon bone—please contact me at oz_jim@printsandprinciples.com.
I will gladly send you a PayPal invoice to facilitate an easy and secure
payment process.
This print has been sold
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