Engraving by Abraham Blooteling (1640–1690) and Pieter Stevens van Gunst (1659–1724) after an illustration by Gerard de Lairesse (1640/41–1711) published in Govard Bidloo's (1649–1713) famous anatomical atlas, Anatomia humani corporis (
Table 52: Abdomen, Posterior Wall, 1690
copper engraving on cream laid paper with 2.5 cm chain-lines
(sheet) 50.4 x 34.6; (plate) 47.5 x 32.1 cm
Description of this print: “Large house fly shown on the specimen. Abdomen, posterior wall, in situ. Viscera removed to show diaphragm, crus of diaphragm around divided aorta and esophagus. Vertebrae and psoas muscle shown.
The splendid anatomical work of Bidloo is considered one of the most beautiful ones ever printed. It became famous because of the very elegant and elaborate engraved tables after drawings by Gerard de Lairesse, carried out by Abraham Blooteling and Pieter Stevens van Gunst.” (http://www.worthpoint.com/worthopedia/abdomen-posterior-wall-house-fly-417303811 [viewed 10 January 2014])
Condition: Sharp impression with light staining to the left edge and surface dustiness appropriate to the age of the print otherwise it is in good condition. I am selling this rare and extraordinarily fine engraving for a total cost of $478 AUD including postage and handling to anywhere in the world. This is a large print and will be shipped in a tube. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below.
Johannes Sadeler (1550–c1600)
The Calling of Abraham, c1590
Engraving on fine laid paper with 2.8 cm chain-lines
(sheet) 22 x 26.7; (plate) 21.5 x 26.3 cm
Inscribed: (lower middle of the image) "Cu priuilegio / Sac. Cæs. M."; (lower margin) with two-line dedication to Augustinus de Justis: "IN GRATIAM PERILLVSTRIS COMITIS AVGVSTINI DE IVSTIS, PINXIT IACOBVS DE PONTO BASSAN, / VERONAE" and "Scalpsit autem Joann. Sadeler Belg."
Marvellous lifetime impression of the only state
Described by the
(http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3146681&partId=1&searchText=sadeler%2c+bassano&view=list&page=1 [viewed 12 January 2014])
Hollstein 53: Bartsch 7001.052
Isabelle de Ramaix offers the following information about this print: “The Jacopo Bassano painting which inspired this engraving is now lost, but at the end of the sixteenth century it was in the Giusti collection in
Condition: A superb lifetime impression that is neither bleached nor restored. The sheet is hinged with conservator’s tape but is not glued down onto a support sheet. The print shows signs of handling (bumped corners and a light fold mark across the centre but otherwise it is in good condition. I am selling this marvellous engraving for a total cost of $310 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below.
Jules Jacquemart (1837–80)
L’Écurueil et la Mouche? [The Squirrel and the Fly?], 1862
Etching on thick wove paper with wide margins
(sheet) 33 x 50.7 cm; (plate) 24.2 x 31.9 cm
Inscribed within the image (upper-right) “34” and in the margin (lower-left) “J. Jacquemart sculpt.”; (lower middle) L’ÉCURUEIL ET LA MOUCHE? / Paris Publié par A. CADART & CHEVALIER, Éditeurs, Rue Richelieu, 66.”; (lower-right) “Imp. Delâtre, St. Jacques, 303,
The print dealers, C & J Goodfriend, add to my questions about the significance of this subject with the proposals: “Or was he [Jacquemart] simply interested in delineating the textures and colors of the fur and a dead squirrel gave a far better opportunity than a live one? But then, why the fly? The ultimate question is: what is the significance of the question mark at the end of the title? Or is that a contribution of the typesetter – who didn’t know how to spell L’Écureuil? An interesting oddity and, as expected, supremely well etched.” (http://www.drawingsandprints.com/CurrentExhibition/detail.cfm?ExhibitionID=11&Exhibition=42 [viewed 13 January 2014])
Béraldi 330; Bailly-Herzberg (1863) 34; Gonse 330
Condition: Rich impression in very good condition but there is a light brown spot (more visible on verso) and a fleck/spot in the lower-left margin. I am selling this print for a total cost of $330 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below.
William Hogarth (1697–1764)
Time Smoking a Picture, 1761
Etching and aquatint on wove paper with wide margins (as published)
Heath edition, 1822, published by Baldwin, Cradock and Joy. This edition was the last printing from the original plates (later editions are smaller in size and are either reproductions or the plate has been recut).
(sheet) 65.5 x 50.3; (plate) 23.6 x 18.5 cm
Description by the
See also the drawing for this print: http://www.artgallery.nsw.gov.au/collection/works/7624/ (viewed 13 January 2013)
Condition: Rich impression from the original plate. The wide margins are free of foxing but there is age-darkening to the edges of the sheet, light dustiness and soiling (mainly verso) and there are signs of handling in terms of bumped corners. I am selling this print for a total cost of $286 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below.