Charles Beauverie, “The Loire at Saint-Just-Saint-Rambert”, 1879

Charles Beauverie (also known as Charles Joseph Beauverie) (1839–1923)

“The Loire at Saint-Just-Saint-Rambert” (or simply, “Saint-Just”), 1879.

Background insights:

The scene beautifully depicts the Loire River meandering through the historic Forez region of east-central France. This scarce, proof-state impression was pulled before the plate was lettered for official publication in the second volume of Félix Thiollier’s monumental work, Le Forez Pittoresque et Monumental.

Technical Details & Condition:

Etching with atmospheric plate tone on imitation washi paper with wide margins. This is a choice proof state before the inclusion of publication lettering, hand-signed by the artist in ink and bearing a personal dedication to Miss/Mrs Millefaut (“Charles Beauverie / à Mlle [or Mme] Millefaut”) below the image at the lower right. Given this highly personal provenance, the print was a direct gift from Beauverie to a family member—likely the wife or daughter—of his close contemporary, the celebrated Lyonnais sculptor Paul-Émile Millefaut (1847–1907), who was highly active in the same artistic and scholarly circles.

The impression is remarkably strong, crisp, and rich in detail. The fine sheet remains in near-pristine condition: bright, exceptionally clean, and entirely free from any tears, folds, abrasions, or foxing stains.

Dimensions:

• Sheet: 27.6 x 37.1 cm
• Platemark: 20.0 x 28.0 cm
• Image borderline: 16.9 x 26.1 cm

References:

• Catalogued in Félix Thiollier, Le Forez Pittoresque et Monumental, vol. 1, 1889, Lyon, A. Waltener & Co., p. 450, cat. no. CXXII — Available via Archive.org: https://archive.org/details/FOLZZSUP_103_1/page/n493/mode/2up. Published in vol. 2 — Available via Archive.org: https://archive.org/details/FOLZZSUP103_2_RES/page/n209/mode/2up
• IFF, not described (Jean Laran, Inventaire du Fonds Français après 1800, vol. 2, 1937, Paris, Bibliothèque Nationale de France, Département des Estampes, pp. 9–11) — Available via Bibliothèque Nationale de France (Gallica): https://gallica.bnf.fr/ark:/12148/bpt6k5488531x/f18.item
• Philippe Tillon, Charles Beauverie, Peintre-Graveur (1839–1923), Catalogue raisonné de l'œuvre gravé (Updated 2010).

Price & Shipping:

AU$234 (approximately US$162.43 / €144.19 / £122.88, subject to daily exchange rates). Price includes worldwide express shipping. Please note that destination import duties and local taxes remain the sole responsibility of the buyer.

If you are interested in acquiring this rare, hand-signed proof-state etching, please contact me directly at oz_jim@printsandprinciples.com. I will gladly provide a secure PayPal invoice for a seamless purchase.

Charles Jacque, “Le Repos”, 1864

Charles Jacque (also known as Charles Émile Jacque) (1813–1894)

“Le Repos” (also known as “Sept Vaches et Berger” [Seven Cows and a Herdsman]), 1864

Technical Details & Condition:

Etching, engraving, drypoint, and roulette on ivory laid paper, featuring full and exceptionally wide margins as issued.

This impression is from the fourth state (of five), before the addition of publication lettering. In this fourth state, the shepherd at the lower right is portrayed sitting near seven grazing cows. Interestingly, in the previous third state, the cattle were depicted as sheep and the shepherd was accompanied by a dog, both of which have been erased and re-engraved for the present state.

This is a richly inked, strong, crisp, and faultless (museum-quality) impression in near-pristine condition—completely free of tears, holes, folds, or significant staining.

Dimensions:

• Sheet: 48.2 x 30.4 cm
• Platemark: 22.0 x 16.6 cm
• Image borderline: 18.7 x 14.6 cm

In-Plate lettering:

• Lower-left corner: “ch Jacque”

References:

• Guiffrey 181 (J.-J. Guiffrey, “L’Œuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes-Sèches”, 1866, Paris, Mlle Lemaire, pp. 90–1, cat. no. 181)
• Beraldi 5/181 (Henri Beraldi, “Les Graveurs du Dix-Neuvième Siècle: GUÉRIN–LACOSTE,” vol. VIII, 1889, Paris, Librairie L. Conquet, p. 187, cat. no. 181 [no. 5 in “COLLECTION D'EAUX - FORTES, 1864–66”])
• IFF 284 (Jean Adhémar & Jacques Lethève, “Inventaire du Fonds Français après 1800: HUMBLOT–JYG,” vol. 11, 1960, Paris, Bibliothèque Nationale de France, p. 114, cat. no. 284) — Available via Bibliothèque Nationale de France (Gallica): https://gallica.bnf.fr/ark:/12148/bpt6k5489301d/f126.item
• Art Institute of Chicago: Reference Number 1927.3673 — https://www.artic.edu/artworks/45760/the-rest

Price & Shipping:

AU$264 (approximately US$183.63 / €162.20 / £138.44, subject to daily exchange rates). Price includes worldwide express shipping. Please note that destination import duties and local taxes remain the sole responsibility of the buyer.

If you are interested in acquiring this outstandingly fine etching by a central figure of the Barbizon School, please contact me directly at oz_jim@printsandprinciples.com. I will gladly provide a secure PayPal invoice for a seamless purchase.

This print has been sold 

Adriaen Collaert, “Middle Age Under the Influence of Mars”, 1581, after Maarten de Vos

Adriaen Collaert (circa 1560–1618)

“Middle Age Under the Influence of Mars” (also known as “Middelbare leeftijd onder invloed van Mars”), 1581

Technical Details & Condition:

Engraving on fine laid paper with full margins as published. This is plate 5 in the series of eight engravings (including the title plate) titled “Septem Planetæ” (aka “The Seven Planets and Seven Ages”; “De zeven planeten en zeven leeftijden”; “Septem planetae, septem hominis”), illustrating the astrological power of the seven planets over the corresponding seven stages of human life. The work is engraved after a composition by Maerten de Vos (1532–1602) and was published in Antwerp by Gerard de Jode (1516/17–1591).

This representation of Mars as the mythological God of War moves far beyond conventional battle attributes like armour, shields, and weaponry. It introduces a deeper allegorical layer, framing Mars as a personification of the ideal traits of a mature man in his prime: physical strength perfectly balanced by wisdom, foresight, and careful judgment.

The Latin couplet below the image highlights that true strength (fortis) is useless without foresight (providus) and sound judgment (discretio). In the Renaissance view of life cycles, the fifth age (roughly ages 40 to 50) is the pinnacle of human capability, wherein physical power matches intellectual maturity.

The engraving is a crisp impression with a slightly silvery tone. Aside from minor handling marks confined to the outer margins, the sheet remains in excellent condition—clean, structurally sound, and completely free from tears, folds, abrasions, or significant staining.

Dimensions:

• Sheet: 36.4 x 25.3 cm
• Platemark: 30.3 x 22.3 cm
• Image borderline: 28.8 x 22.1 cm

Plate Lettering:

• Within the image borderline: (upper edge) “MARS”; (lower right) “DISCRETIO”
• Below the image borderline: (centre) “Fit DISCRETIO prudens quinta ætate virili / Prouidus et fortis MARS quibus usque valet” (Translation: “Prudent discernment develops during the fifth age of manhood, by which a foresightful and courageous Mars prevails everywhere.”); (right of centre) “5”

References:

• Hollstein (Maarten de Vos) 1370
• New Hollstein (De Jode dynasty: Gherard) 639
• The British Museum: Museum Number 1862,0712.325 —  https://www.britishmuseum.org/collection/object/P_1862-0712-325
• The Rijksmuseum: Object Number RP-P-1981-68 — https://id.rijksmuseum.nl/200175205.

Price & Shipping:

AU$336 (approximately US$234.46 / €206.56 / £176.72), inclusive of worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this rare, symbol-rich Master Engraving—completed just 17 years after the passing of Michelangelo—please contact me directly at oz_jim@printsandprinciples.com. I will gladly prepare and send a PayPal invoice for a secure and straightforward transaction.

This print has been sold