Sunday, 26 July 2026

Johann Christoph Erhard “The Horseman Asking for Directions”, 1817

Johann Christoph Erhard (1795–1822)

“The Horseman Asking for Directions” (or “Der nach dem Wege fragende Reiter”), 1817

Aloys Apell (1816) describes this print (in translation):

“Along a stream, which begins its course from the middle ground on the left, where several houses of a village are visible, and continues to the foreground on the same side, the road, bordered by wooden railings and beautiful trees and enlivened by three figures, leads to the foreground on the right. Here, next to an oak tree, one sees a horseman facing right, who, unaware of the way ahead, is being greeted by a man. On the far right, on a rise in the second middle ground, stands a shepherd with a small flock of sheep. (pp. 58–59, cat. no. 82)”

Apell also advises that this plate is unfinished and comments that it was initially self-published by the artist, along with the etching “The Hunter at the Wooden Footbridge” (Der Jäger auf dem hölzernen Steg), and published by the artist's brother from his posthumous estate (Nachlass) (p. 58, cat. no. 81).

Technical Details & Condition:

Etching with pale plate tone on fine wove paper with wide margins.

A richly inked, crisp, and evenly printed impression—nearly faultless. Aside from a minor printer’s crease in the margin at upper-left—visible when the sheet is held against a light—the sheet is in excellent condition, free of tears, holes, abrasions, or stains.

Dimensions:

• Sheet: 26.1 x 34.1 cm
• Platemark: 10.9 x 20.3 cm

In-Plate Lettering:

• Lower-right edge: “JC Erhard inv. 1817”

References:

• Apell 82 (Aloys Apell, “Das werk von Johann Christoph Erhard, maler und radirer ... mit einer biographie und dem bildness des künstlers”, 1866, Dresden, Apell, pp. 58–59, cat. no. 82)—Available online via Archive.org: https://archive.org/details/daswerkvonjohann00apel/page/58/mode/2up
• Barneby’s Auctions: https://www.barnebys.com/auctions/lot/j-erhard-1795-1822-the-rider-asking-after-the-way-1817-etching-MAiK5LJ-629866693

Price & Shipping:

AU$298 (approximately US$206.01 / €181.10 / £154.65), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

If you are interested in acquiring this fascinating glimpse into everyday life around Vienna in the early 1800s, please contact me directly at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless transaction.

Sadly, just three years after completing this print, Erhard suffered a severe mental health crisis. Following a period of intense hallucinations, he made a first suicide attempt in 1820 and tragically ended his own life two years later, passing away at only 27 years of age.

Note on Companion Works:

This is the second etching by Johann Christoph Erhard that I have listed; see “The Russian Infantryman” (1815) (https://www.printsandprinciples.com/2023/07/johann-christoph-erhards-etching.html). Where that prior, confronting image epitomised the artist’s intense engagement with sketching Russian military personnel during the Napoleonic era, the present scene reflects another core strength of his oeuvre. This peaceful landscape, centred around a traveller seeking directions, beautifully highlights Erhard's mastery of equine anatomy—a skill he refined through extensive studies of cavalry and working horses in the immediate post-war years.




















Saturday, 25 July 2026

Fernand Desmoulin, “Portrait of Alexandre Dumas fils”, 1896

Fernand Desmoulin (1853–1914)

“Portrait of Alexandre Dumas fils”, 1896

About the Portrait:

Alexandre Dumas fils (1824–1895) was a prominent 19th-century French author and playwright, best known for writing the novel and play “La Dame aux Camélias” (The Lady of the Camellias), which inspired Verdi's opera “La Traviata.” The appendage “fils” (son) distinguished him from his father, the legendary author of “The Three Musketeers.”

Unlike reproductive prints of the era that copied popular paintings, this exceptional portrait was etched by Fernand Desmoulin from life. Published in 1896 shortly after the author's death, this powerful, frontal composition stands as a definitive posthumous tribute to one of France’s most influential literary figures.

Technical Details & Condition:

Etching and drypoint with rich plate tone on heavy, buff-coloured Arches laid paper, with wide margins.

This impression is remarkably crisp, deeply inked, and evenly printed—nearly faultless in execution. Aside from minor marks confined to the lower margin edge, the large sheet remains in excellent condition, completely free of tears, holes, folds, abrasions, or significant stains.

Dimensions:

• Sheet: 55.7 x 40.9 cm
• Platemark: 39.6 x 27.9 cm

In-Plate Lettering:

• Upper-left: “F. Desmoulin”

References:

IFF 46 (Jean Adhémar & Jacques Lethève, “Inventaire du Fonds Français après 1800: Daumont–Dorange”, vol. 6, 1954, Paris, Bibliothèque Nationale de France, Département des Estampes, p. 415, cat. no. 46)— Available via Bibliothèque Nationale de France (Gallica): https://gallica.bnf.fr/ark:/12148/bpt6k54891736/f427.item
• Musée Carnavalet, Histoire de Paris: inv. no. G.12671—
https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/alexandre-dumas-fils-a-mi-corps
MAH (Musée d'art et d'histoire, Ville de Genève): inv. no. E 2020-0791— https://www.mahmah.ch/collection/oeuvres/alexandre-dumas-fils/e-2020-0791

Price & Shipping:

AU$298 (approximately US$208.10 / €182.94 / £156.25), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

If you’re interested in acquiring this large, imposing, and historic portrait, please contact me directly at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless transaction.

This print has been sold 


















Friday, 24 July 2026

Thomas Major, “View of the Canal near Haarlem”, c. 1750–55

Thomas Major (1719–1799)

“View of the Canal near Haarlem” (Vûe du Canal proche de Haerlem), circa 1750–55

Description

A tranquil river landscape at the edge of twilight, with the moon’s reflection shimmering on a Haarlem canal. In the foreground, a figure with a long pole works among the reeds along the bank. Further back, fishing boats and a line of stakes mark the edges of a fish trap. This exceptional 18th-century etching epitomises the spirit of Dutch Golden Age painting, translating the soft, luminous glow of a cloud-swept night sky into a delicate play of moonlight fracturing across the ripples of water.

Technical Details & Condition:

Etching on heavy laid paper, trimmed around the platemark and professionally backed on archival-quality washi paper for support and ease of mounting.

This print is based on a painting by Aert van der Neer (also known as Aert van der Meer, and Aert Egeromsz. van der Neer) (circa 1603–1677). It was published in Amsterdam by Pierre Fouquet Junior (active circa 1750–1800) and in Paris by François Basan (also known as Pierre François Basan and Basan et Poignant) (1723–1797).

This is a strong, evenly printed impression. Aside from a restored tear in the lower margin and minor marks, the sheet remains in good condition.

Dimensions:

• Sheet: 36.0 x 30.7 cm
• Platemark: 36.0 x 30.6 cm
• Image borderline: 30.7 x 28.5 cm

In-Plate Lettering (below the image border):

• Left: “Vanderneer Pinxt:”
• Centre: “Vûe du Canal proche de Haerlem. / Gravé d'après le Tableau Original de Vanderneer de même grandeur. / a Amsterdam chez Fouquet Junior. AParis chez Basan graveur ruë St. Jaques.”
• Right “Major Sculpt.”

References:

• Hollstein Dutch 15
• Rijksmuseum: Object Number RP-P-1929-111 — https://id.rijksmuseum.nl/200446978
• British Museum: Museum Number 1861,1109.181— https://www.britishmuseum.org/collection/object/P_1861-1109-181

Price & Shipping:

AU$237 (approximately US$165.34 / €145.25 / £124.21), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this deeply romantic nocturnal canal scene—where the moon casts its reflection through a line of fishing stakes in the foreground—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.