Friday, 13 February 2026

Charles Jacque, “The Three Willows,” 1845

Charles Jacque (also known as Charles Émile Jacque) (1813–1894)
“The Three Willows” (“Les Trois Saules” [IFF title]), 1845

Technical Details & Condition:
Etching and engraving with plate tone on wove paper with wide margins. This is possibly an impression from the third or even a later state (IFF indicates there are six states), with the plate number (28) and the addresses of Marchant and Delâtre erased from the previous state. I believe there is still a faint trace of the “28” visible at the lower left corner below the image borderline. The impression is strong, well-printed, and in near pristine condition—free from tears, holes, folds, stains, or signs of handling.

Dimensions:
• Sheet: 24.3 x 32 cm
• Platemark: 8.8 x 15.1 cm
• Image borderline: 7.5 x 13.4 cm

References:
• Guiffrey 65 (J.-J. Guiffrey, “L’Oeuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes Sèches,” 1868, Paris, Lemaire, pp. 53–54, cat. no. 65)
• Beraldi 65 (Henri Beraldi, “Les Graveurs du Dix-Neuvième Siècle: GUÉRIN
LACOSTE,” vol. VIII, 1889, Paris, Librairie L. Conquet, p. 79, cat. no. 65)
• IFF 133 (Jean Adhémar & Jacques Lethève, “Inventaire du Fonds Français après 1800: HUMBLOT–JYG,” vol. 11, 1960, Paris, Bibliothèque Nationale de France, p. 106, cat. no. 133)
• British Museum: https://www.britishmuseum.org/collection/object/P_1889-0608-82
• Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/829374

Plate Lettering:
• Upper left: “Ch. JACque 1845.”

Price & Shipping:
AU$257 (approximately US$181.90 / €153.23 / £133.19), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this seemingly simple yet masterfully executed etching, created with the utmost skill and confidence by one of the luminaries of the Barbizon School, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.













Thursday, 12 February 2026

Ludovic Lepic, “Rivière avec Barques, Moulins et Bois”, 1870

Ludovic Lepic (also known as Vicomte Ludovic-Napoléon Lepic) (1839–1889)
“Rivière avec Barques, Moulins et Bois” (River with Boats, Mills, and Woods), 1870

Technical Details & Condition:

Etching with strong plate tone on buff-coloured laid paper, with generously wide margins. Signed by the artist in blue crayon at the lower left. This is a proof-state etching from the series “Croquis Hollandais et Autres” (Dutch and Other Sketches), later published in Paris by the widow of Alfred Cadart (Vve A. Cadart).

This is an extraordinarily fine, nearly faultless impression—richly inked and well-printed. The sheet is in pristine condition, free of tears, holes, folds, abrasions, stains, or handling marks.

Dimensions:
• Sheet: 28.8 x 43.2 cm
• Platemark: 16 x 23.9 cm

References:
• BnF Gallica (Bibliothèque nationale de France): https://catalogue.bnf.fr/ark:/12148/cb43602572n
• IFF 52–87 (Jacques Lethève & Françoise Gardey, “Inventaire du Fonds Français après 1800: LEPAN–LYS,” 1967, vol. 14, Paris, Bibliothèque Nationale de France, Département des Estampes, p. 64, cat. nos. 52–87 [Croquis hollandais et autres chez cadart pp. 73–74]) see https://gallica.bnf.fr/ark:/12148/bpt6k5489453g/f76.item.

Price & Shipping:
AU$402 (approximately US$285.13 / €240.19 / £209.38), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this museum-quality impression of a moody grey day on the water—the scene possibly around Dordrecht, the Netherlands, as Lepic made similar etchings in this area (see for example, “Environs de Dordrecht”: https://www.printsandprinciples.com/2023/10/ludovic-napoleon-lepics-etching.html)—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold
















Wednesday, 11 February 2026

Georges Focus, “Landscape with a Traveller Resting,” c. 1660s

Georges Focus (1641–1708)
“Landscape with a Traveller Resting,” circa 1660s

Technical Details & Condition:

Etching on laid paper, trimmed around the image borderline and backed with a support sheet. This etching is a lifetime impression of the first state—prior to the addition of the plate number (“3”) at the lower right corner. It is the third plate in a series of six prints, “Diverses Vues d'Italie” (Various Views of Italy)—see the title plate of the series online at the British Museum: https://www.britishmuseum.org/collection/object/P_1877-1013-651.

This is a richly inked and well-printed impression. There are tears and restorations along the edges, and a grey mark at the left of centre. Aside from these issues, the sheet remains in good condition for its age.

Dimensions:

• Sheet: 25.7 x 34.9 cm

References:

• British Museum: https://www.britishmuseum.org/collection/object/P_1877-1013-655
• National Gallery of Art (Washington): https://www.nga.gov/artworks/205639-landscape-traveler-resting
• Robert-Dumesnil 4 (Alexandre-Pierre-François Robert-Dumesnil, “Le peintre-graveur francais, ou catalogue raisonne des estampes gravees par les peintres et les dessinateurs de l'école francaise,” 1835–71, Paris, F. de Nobe, cat. no. 4)
• IFF 3 (Roger-Armand Weigert, “Inventaire du Fonds Français Graveurs du XVIIe Sièle: CHAUVEL–DUVIVIER,” 1961, vol. 4, Paris, Bibliothèque Nationale de France, Département des Estampes, p. 251, cat. no. 3)—see https://gallica.bnf.fr/ark:/12148/bpt6k5489269n/f261

Price & Shipping:

AU$288 (approximately US$205.08 / €172.87 / £150.61), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this strong lifetime impression from the 1660s, depicting a weary traveller resting before possibly continuing his journey across myriad cataracts towards a high fortified citadel with a volcano beyond—I wonder if this trail faced by the traveller could serve as an analogue for the artist’s mindset, mindful that he was soon to be declared mad—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold














Tuesday, 10 February 2026

Charles Cousen, “Bacchus and Ariadne”, c. 1860, after JMW Turner (2nd copy)

Charles Cousen (c. 1819–1889)
“Bacchus and Ariadne,” c. 1860 (1859–1861)

Technical Details & Condition:
Engraving and etching with hand-colouring on heavy wove paper, with full margins as issued. This etching is based on Joseph Mallord William Turner’s (1775–1851) famous painting (1840), now in the collection of the Tate Gallery, London; see https://www.tate.org.uk/art/artworks/turner-bacchus-and-ariadne-n00525. The plate was published in 1879 in New York by D. Appleton & Company as an illustration to “The Turner Gallery”—a series of one hundred and twenty engravings from the works of the late J.M.W. Turner, R.A.”, vol. 1; see https://archive.org/details/gri_33125008236784/page/n83/mode/2up.

This is a strong, well-printed, nearly faultless impression, with subtle hand-colouring remaining rich and unfaded. Aside from a minor trace of binding residue on the left edge, the sheet is in excellent condition—free of tears, holes, folds, abrasions, or significant stains.

Dimensions:
• Sheet: 36.5 x 43 cm
• Image borderline diameter: 21.6 cm

Lettering on Plate (below the image border):
• Left: “J. M. W. TURNER, R. A, PINXT.”
• Centre: “BACCHUS AND ARIADNE. / D. APPLETON & CO. NEW YORK.”
• Right: “C. COUSEN, SCULPT.”

References:
• British Museum: https://www.britishmuseum.org/collection/object/P_1872-1012-2400
• Rawlinson 741 (W.G. Rawlinson, “The Engraved Work of J. M. W. Turner, R.A.”, vol. 1, 1913, London, Macmillan, p. cviii, cat. no. 741 and vol. 2, p. 359)

Price & Shipping:
AU$234 (approximately US$166.62 / €139.88 / £121.99), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this exquisite hand-coloured engraving after Turner, depicting Ariadne averting her gaze from Bacchus as he leaps from his chariot, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.