Benigno
Bossi (1727–1792)
“Allegory
of Painting Next to the Marble Bust of Count Giulio Ascanio Scutellari” (Allegoria
della Pittura accanto al busto marmoreo del conte Giulio Ascanio Scutellari), 1772,
a lifetime impression published in Parma by Giambattista Bodoni (1740–1813) (see http://hdl.handle.net/20.500.12835/72334).
Unfortunately,
I have been unable to locate specific biographical information about Count
Giulio Ascanio Scutellari, the individual referenced in the title and whose
bust is beside the allegorical figure of Painting. However, if the Count is
also known as Guido Ascanio Scutellari Ajani (1711–1800), he would have been an
Italian poet. While this remains speculative, it is plausible given the
presence of the putti reading beneath the bust, which aligns with the theme of
poetry and learning.
Etching
with engraving on laid paper trimmed with a narrow margin around the image
borderline and backed with a support sheet.
Size:
(sheet) 14 x 7.6cm; (image borderline) 13.4 x 7.1cm.
Inscribed
in plate below the image borderline: (left) “Bossi In. Sculp.”
Condition:
a strong and well-printed impression with a narrow margin around the image
borderline and laid upon a sheet of millennium quality washi paper providing
wide margins. Beyond a small stain on the head of the personification of painting,
the sheet is in an excellent condition with no tears, holes, or significant
stains.
I
am selling this remarkably strong lifetime impression of a very beautiful
etching showing the personification of painting holding a palette and brushes
beside a sculpted bust—possibly portraying the Italian poet Guido Ascanio
Scutellari Ajani—with putti avidly exploring books, for the total cost of AU$302
(approximately US$195.99, EUR 169.31 or GBP 147.42), including express mail
shipping worldwide. Import duties, if any, are the responsibility of the buyer.
If
you are interested in purchasing this jewel-like etching, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
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