Charles
Daubigny (aka
Charles François Daubigny) (1817–1878)
“The Towing
Horses” (aka “Les Chevaux de Halage”), 1850, printed in Paris by Auguste
Delâtre (1822–1907).
Drypoint with
plate-tone on heavy wove paper with wide margins
Size: (sheet) 24.1
x 30.2cm; (plate) 12.3 x 18.8cm; (image borderline) 8.1 x 15.8cm.
Inscribed in
plate below the image borderline: (left) “Daubigny inv.”; (right) “Imp. par Aug
Delatre, Fbourg Poissonniere 145 Paris”.
State v (of v) with
the addition of the address of Auguste Delâtre as the printer.
Melot D 68
(Michel Melot 1978, “Graphic Art of the Pre-Impressionists”, New York, Harry N.
Abrams, p. 276, cat. no. D 68); Delteil 68 (Loys Delteil 1921, “Le Peintre
Graveur Illustré: Charles François Daubigny”, vol. 13, Paris, cat. no. 68).
The British
Museum offers the following description of this print: “Figure on horses
pulling nets (?) in river, two other horses to right, with figure seen beyond
with whip. 1850
Drypoint” (https://www.britishmuseum.org/collection/object/P_1865-1209-716
[BM no. inv. 1916,0411.34]).
Condition: a
strong and well-printed (near faultless) impression with wide margins in a near
pristine condition with no tears, holes, folds or stains.
I am selling
this luminous and very beautiful drypoint by one of the leading figures of the
Barbizon School, for the total cost of AU$319 (approximately US$207.10, EUR 176.62
or GBP 153.19). This price includes worldwide express postage and handling.
Please note that any applicable import duties or taxes imposed by the
destination country are the buyer’s responsibility.
If you are
interested in purchasing this atmospherically poetic drypoint, please contact
me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to
make the payment easy.
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