Marcantonio
Bellavia (fl.
1668–1670)
“A River God Sitting on His Urn and Holding an Oar in His Left Hand” (TIB
title) (aka “Autre fleuve. Il est assis sur son urne, et tient une rame de la
main gauche”; “River God Watching Pan Pursuing Syrinx”), c.1670 (1660–1680), incorrectly inscribed
as being after the design by Annibale Carracci (1560–1609). Regarding
the inscribed attribution to Annibale Carracci, the British Museum
advises: “His plates are all from his own designs, although later publishers
added the name of the Carracci to many of them” (https://www.britishmuseum.org/collection/term/BIOG19083).
Etching on laid
paper with a small margin around the platemark.
Inscribed
in plate: (lower left edge) “A.c. IN.”;
(lower right corner) “\[B]III” (possibly the artist’s initials in reverse [“MB”],
but I understand that the artist’s monogram is often “MAB” or “MABI”)
Size:
(sheet) 12.6 x 12.1 cm; (plate) 26.5 x 16.8 cm;.
TIB 44.50 (Paolo
Bellini & Mark Carter Leach [eds.] 1983, “The Illustrated Bartsch: Italian
Masters of the Seventeenth Century”, vol. 44, New York, Abaris Books, p. 54,
cat. no. 50).
Condition: a
strong and well-printed impression. Beyond remnants of mounting verso, the
sheet is in an excellent condition, free of tears, holes, folds, abrasions, or
significant stains.
Price &
Shipping: AU$366 in
total (approximately US$239.65 / €207.61 / £182.19), including worldwide
express shipping. Please note that import duties are the buyer's
responsibility.
If you are
interested in purchasing this bold etching of a mythological river god watching
the attempted seduction of the nymph Syrinx by Pan, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold












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