Showing posts with label Cassagne (Armand). Show all posts
Showing posts with label Cassagne (Armand). Show all posts

Wednesday, 4 September 2024

Armand Cassagne, “The Seine Valley from the Forest of Fontainebleau”, late 1800s


Armand Cassagne (aka Armand-Théophile Cassagne) (1823–1907) —a French painter with close associations with the Barbizon School, famous as a watercolourist, lithographer and writer (see https://en.wikipedia.org/wiki/Armand_Cassagne).

Note that many moons ago I listed a very strong lithograph by this artist, “Étude de Saule”, that is currently still available: https://www.printsandprinciples.com/2016/05/armand-theophile-cassagne-18231907.html

For those wishing to find an ideal book on perspective with superb illustrations, see  Armand Cassagne’s “Traité pratique de perspective appliquée au dessin artistique et industriel” ("Treatise on Perspective, Applied to Artistic and Industrial Design"), 1873 (see: https://archive.org/details/traitpratiquedep00cass/page/n7/mode/2up).

Equally worthwhile is Amand Cassagne’s book on Watercolour, “Traité d'aquarelle : renfermant un grand nombre de types, dessins, sépias et aquarelles, paysages, fleurs et fruits, figures”, 1886 (see: https://archive.org/details/traitedaquarelle00cass_0/page/n5/mode/2up).

For those interested in Cassagne’s approach to watercolour, I understand that he first paints the sky to capture the colours of the time of day he is portraying. He then progresses from the background to the foreground to keep the bias of local colours accurate (see p. 277 in his watercolour treatise [https://archive.org/details/traitedaquarelle00cass_0/page/276/mode/2up]).

“The Seine Valley from the Forest of Fontainebleau”, late 1800s, watercolour on laid paper backed with a support sheet of millennium quality washi paper providing wide margins.

Size: (irregular sheet) 24.5/25.2 x 42 cm.

Signed at lower-right corner: “Armand Cassagne”.

Condition: Beyond a restored cut on the lower edge at left, the sheet is in an excellent condition for its size and age with no holes, folds, abrasions or significant stains.

I am selling this exceptionally beautiful watercolour by a well-documented artist associated with the Barbizon School and an influential writer on the art of watercolour and the principles of perspective, for the total cost of AU$614 (currently US$412.59/EUR372.24/GBP313.89 at the time of this listing) including Express Mail (EMS) postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries. Note that payment is in Australian dollars (AU$614) as this is my currency.

If you are interested in purchasing this large and magnificent watercolour capturing the colours of early morning at the famous Fontainebleau Forest—note the exquisite glint of light reflected from the distant view of the Seine at lower centre—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This watercolour has been sold









Sunday, 15 May 2016

Armand Cassagne, "Étude de Saule", 1862


Armand Cassagne (aka Armand-Théophile Cassagne) (1823–1907)
"Étude de Saule" [willow study], 1862, from "Le Dessin pour tous. (Méthode Cassagne.) Troisième série. Étude de la figure par divers artistes. Première partie-éléments. Fr. & Eng." printed by Lemercier.
Lithograph on thick wove paper
Size: (sheet) 49.5 x 34.1 cm, (image borderline) 37.6 X 25.8 cm.
Inscribed above the upper borderline (centre): "LE DESSIN POUR TOUS MÉTHODE CASSAGNE / 3me. Partie / LE DESSIN D'APRÈS NATURE."; signed within the image by the artist and dated 1862; inscribed below the lower borderline: (left) "Librairire Classique de CH. Fouraut rue St. Andrél-des-Arts 47."; (centre) "4 / ÉTUDE DE SAULE"; (right) "Imp. Lemercier rue de Seine 57 Paris."
Condition: marvellous impression in near pristine condition with only a few small dots upper left.

I am selling this image of two willow trees seemingly engaged in a dramatic struggle for the total cost of AU$223 (currently US$149.93/EUR135.29/GBP114.07 at the time of this listing) including Express Mail (EMS) postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries. Note that payment is in Australian dollars (AU$223) as this is my currency.


If you are interested in purchasing this superb and visually arresting lithograph, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.


This visually arresting study of willow trees was designed to be an illustration of natural forms that art students could copy to improve their drawing skills. It featured in a two-volume publication along with 107 other lithographs, all of which were arranged so that they could be copied in the blank spaces provided.

Cassagne's choice of this particular subject—a highly romanticised and dramatic, animistic vision of inner life within trees is not surprising as he worked in the Fontainebleau forest from 1857 to 1868 and conducted public drawing classes there. Indeed, Cassagne was so captivated by the magic of the Fontainebleau forest that he donated a large collection of his drawings and paintings of it to the Musée de Melum in order to create, in his own words: "the apotheosis of the forest of Fontainebleau."