Monday, 5 October 2026

Karl Audran, “Saint Francis of Paola in Prayer”, c. 1625, after Charles Mellin

Karl Audran (also known as Charles Audran and Karolus Audran) (1594–1674)

“Saint Francis of Paola in Prayer”, circa 1625

Contextual Commentary:

The composition is based on an altarpiece by the Lorrainese painter Charles Mellin (c. 1600–1649), originally created for the Royal Convent of Trinità dei Monti in Rome. Karl Audran engraved this print in Rome, circa 1622–1630. The copperplate was later acquired and brought to Paris, where F. Muguet published it in 1671 to illustrate Father Antoine Dondé’s book, “Les figures et l’abrégé de la vie, de la mort et des miracles de Saint-François de Paul...”. This impression is from the earlier Roman edition and bears the inscription “Romæ Sup. prm.” (short for Superiorum permissu — “with the permission of the superiors/authorities”).

The eight-line poem below the image brings together key elements of St. Francis’s life. The first four-line column plays on the irony of a holy man seeking to escape fame by hiding in the dense forests of Rome and Italy, only for his spiritual “light” to shine through nonetheless. In translation: “Neither Paula nor the vast Gallic world can contain you; You shun the allure of the shady grove, Choosing instead to veil your light in darkness And hide your deeds within the forest’s shade.”

The second column refers to St. Francis of Paola’s founding of the Order of Minims, a mendicant order. Unlike the Franciscans (Friars Minor, or “lesser”), Francis wanted his followers to be the least of all human beings. In translation: “You are known above the stars, Father, while wishing everywhere To be the lesser, you love the name and the omen of the Minim [the Least]. Thus Francis wanders without stain, for it is seen That where he is the least, he is thereafter the greatest to God.”

Technical Details & Condition:

Engraving on fine laid paper. The sheet has been trimmed slightly unevenly around the image borderline and is professionally supported by an archival-quality washi paper backing sheet. The image bears a historical grid of faint pencil lines, undoubtedly added by an early hand to square and copy the composition. Aside from a minor loss at the left image edge, which has been professionally replenished, the sheet remains in good condition, free of holes, folds, and significant stains.

Dimensions:

• Sheet: 42.2 x 27.9 cm

In-Plate Lettering:

• On oval medallion: “HVMI / L […] I / TAS” (Humilitas — the motto of the Minim friars founded by St. Francis)
• Below the image: (lower left): Carol° Mellin Lotaring° In et pinx.”; (left of centre) “Romæ Sup. prm.”; (right) “Carol° Audran Paris. sculp.”
• Two columns of four lines of Latin below the image: “Quem non Paula capit; non Gallicus amplior Orbis / Illicis vmbrosa fonde Latere putat / Sed qui opus tantum tenebris involvere lumen: / Syluarumq: vmbris abdere facta Inuat: // Es notus super astra Pater, Dum quolibet optans / Esse minor, Minimi nomen, et omen amas / Sic sine Labe errat Franciscus, namque videtur / Jnde ubi minimus, maximus Inde Deo est”

References:

• IFF 340 (Roger-Armand Weigert “Inventaire du Fonds Français Graveurs du XVIIe: ALIX [Jean]–BOUDEAU [Jean]”, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 1, 1939, p. 215, cat. no. 340) — Available via Bibliothèque Nationale de France (Gallica): https://gallica.bnf.fr/ark:/12148/bpt6k5489424r/f219.image
• Musée des Beaux Arts Nancy: Inventory number TH.99.15.1149 — https://collections-mba.nancy.fr/fr/notice/th-99-15-1149-saint-francois-de-paule-en-prieres-c39d39aa-0abc-4f56-aee2-d92dd0e828e9

Price & Shipping:

AU$308 (approximately US$213.98 / €191.15 / £161.86), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

To acquire this large, sensitively executed, and very beautiful engraving, please contact oz_jim@printsandprinciples.com. Secure payment is handled via PayPal invoice for a smooth, protected transaction.




















Saturday, 3 October 2026

Benigno Bossi, “Head of a Young Woman Facing Left with Her hand to Chin”, circa 1760

Benigno Bossi (1727–1792)

“Head of a Young Woman Facing Right with Her Hand to Her Chin” (descriptive title only), circa 1760

Technical Details & Condition:

Etching on fine laid paper with partial watermark and generously wide margins.

This is plate 14 from the series of 40 plates (including the frontispiece/title page), “Raccolta di teste inventate, disegnate e incise da B. Bossi” (Collection of heads created, drawn, and engraved by Benigno Bossi), published by Gioachino Bettalli and C Cont.a of Capello (as inscribed on the title plate).

The impression is strong, crisp and faultless. Aside from faint age toning at the outer edges, the sheet is in near pristine condition with no tears, holes, folds, abrasions, or stains.

Dimensions:

• Sheet: 30.7 x 22.5 cm
• Platemark: 8.7 x 7.2 cm

In-Plate Lettering:

• Upper left: “Bossi. f.”
• Upper right: “14”

References:

• LeBlanc 64-103 (Charles Le Blanc, “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations,” vol. 1, 1854, Paris, P. Jannet, p. 183, cat. nos. 64–103 [From the suite of 40 heads and sketches])
• Institutional Reference: For an authoritative description of this print series and verification of the 40-plate suite, see the regional collection archives of Lombardy (Lombardia Beni Culturali), under entry record C0060-00400 — https://www.lombardiabeniculturali.it/stampe/schede/C0060-00400/

Price & Shipping:

AU$274 (approximately US$190.64 / €169.34 / £143.98), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

To acquire this exceptionally beautiful and rare etching in superb (museum quality) condition, please contact oz_jim@printsandprinciples.com. Secure payment is handled via PayPal invoice for a smooth, protected transaction.















Circle of Jan Sadeler I, “Winter”, c. 1580–82, after Jacopo Bassano

Circle of Jan Sadeler I (also known as Johannes Sadeler and Johann Sadeler) (1550–1600)

“Winter” (or “Hyems”), circa 1580

Technical Details & Condition:

Engraving on fine laid paper trimmed with a narrow margin around the image borderline and professionally backed with washi paper providing structural support.

This is an unsigned engraving copying in the same direction as the plate by Jan Sadeler I from the series of four rural allegorical plates, “The Four Seasons”, made in collaboration with Raphael Sadeler I (1560/61–1628/32) who executed the plates “Spring” and “Autumn.” The composition is based on the design of an unknown artist from the workshop of the Venetian painter and draughtsman, Jacopo Bassano (also known as Jacopo da Ponte and Giacomo Bassano) (c. 1510/18–1592).

The impression is strong, crisp, and well-printed, but with numerous replenished small losses. Aside from these restorations the sheet is now structurally stable and is free of significant stains.

Dimensions:

• Sheet: 19.8 x 28.2 cm
• Image borderline:
19.5 x 27.8 cm

References:

• TIB 7001.467CI (Isabelle de Ramaix, “The Illustrated Bartsch”, vol. 70, Part 3 [Supplement], 2003, New York, Abaris Books, p. 54, cat. no. [7001].467 CI)
• British Museum (for comparison to the prototype): Museum Number 1936,1214.8 — https://www.britishmuseum.org/collection/object/P_1936-1214-8

Price & Shipping:

AU$306 (approximately US$212.90 / €189.12 / £160.79), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

To acquire this exceptionally fine engraving, please contact oz_jim@printsandprinciples.com. Secure payment is handled via PayPal invoice for a smooth, protected transaction.

This print has been sold