Wednesday, 28 January 2026

Giovanni Battista Piranesi & Francesco Piranesi, “Rear View of the Remains of the Pronaos of the Temple of Neptune …”, 1778


Giovanni Battista Piranesi (1720–1778), in collaboration with his son, Francesco Piranesi (1758–1810)

“Rear View of the Remains of the Pronaos of the Temple of Neptune, Drawn in the Two Preceding Plates” or “Vue des Restes du Derrière du Pronaos du Temple de Neptune Dessiné dans les Deux Planches Précédentes”, 1778

Regarding the contributions made by both printmakers in the execution of the series, Wilton-Ely (1994) notes: “…the architecture is clearly by Giambattista’s hand, as are the vegetation and fragments. The figure, on the other hand, are somewhat coarse, being awkwardly drawn in a broad outline and rather similar to those in Francesco’s later etched works.” (p. 777)

Technical Details & Condition:
Etching is on heavy wove paper with wide margins, bearing the blind-stamp of the “Regia Calcografia” of 1870, featuring the central emblem of the Savoy shield surmounted by the Royal Crown of Italy. It is plate XIV (14) from the series Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia, which translates to Different views of some of the remains of three great edifices that still exist at the centre of the ancient city of Pesto, or Posidonia (Paestum), in Lucania.

The impression is richly inked and nearly faultlessly printed. There are minor marks and stains in the margins; otherwise, the sheet remains in excellent condition for its large size, free of tears, holes, folds, abrasions, or significant stains.

Dimensions:
• Sheet: 59 x 76.2 cm
• Platemark: 49.8 x 67.5 cm
• Image Borderline: 46.8 x 66.9 cm

Plate Lettering:
• Upper left: “Planche XIV.”
• Upper right: “675”
• Within the image borderline: indexed with alphabetical letters from “A” to “D”
• Upper right: “675”
• Lower centre: “Vue des restes du derriere du Pronaos du Temple de Neptune desiné dans les deux planches précédentes. A Pilastre/ rendu d’une proportion plus élégante que celui B. L’on trouve à côte d’eux, les restes C des Murs internes de la/ Celle. D Restes de deux rangs de Colonnes que étoient situées dan la Celle du Temple. Cav. Piranesi F.”

Translation:
“View of the remains of the rear of the Pronaos of the Temple of Neptune depicted in the two preceding plates. A. Pilaster/ rendered in a more elegant proportion than that B. Next to them are the remains C of the internal walls of the/ Cell. D. Remains of two rows of columns that were located in the Cell of the Temple. Cav. Piranesi F.”

References:
• Wilton-Ely 732 (John Wilton-Ely, Giovanni Battista Piranesi: The Complete Etchings, vol. I, 1994, San Francisco, Alan Wofsy, p. 794, cat. no. 731)
• British Museum: https://www.britishmuseum.org/collection/object/P_1886-1124-184
• Royal Academy: https://www.royalacademy.org.uk/art-artists/work-of-art/vue-des-restes-du-derriere-du-pronaos-du-temple-de-neptune-2

Price & Shipping:
AU$763 (approximately US$535.36 / €445.53 / £387.25), including worldwide express shipping. Import duties are the buyer’s responsibility.

If you are interested in acquiring this strikingly powerful and impressively large etching, please contact me at oz_jim@printsandprinciples.com. I will be happy to send a PayPal invoice to facilitate an easy purchase.
















Tuesday, 27 January 2026

German Draughtsman's Plans of the Aircraft Carrier “Midway”, 1948

Hand-drawn ink orthographic projection on glassine paper of the aircraft carrier Midway, inscribed in German with detailed technical specifications, signed and dated “18.11.1948”. For a comprehensive history of the aircraft carrier Midway, see: https://www.midwaysailor.com/midway/history.html.

This plan was acquired alongside a collection of German rocket plans drawn by the engineer-draughtsman Heinz Hoelzel at the end of WWII. While I do not believe this particular drawing was made by Hoelzel himself, it was evidently created by a colleague or associate involved in his circle at that time.

Dimensions:
• Sheet: 22.9 x 42 cm

Condition:
The glassine sheet has mellowed to a pale honey colour over time. There is a line of offset ink notations shining through from the back along the lower edge at left. Additionally, there is some brown staining on the lower right. Aside from these issues, the sheet remains in fair to good condition, with no tears, holes, folds, losses, or abrasions.

Price & Shipping:
AU$209 (approximately US$146.06 / €139.35 / £105.82), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in this rare German draughtsman’s drawing of the aircraft carrier Midway, showcasing detailed specifications—such as its complement of 137 aircraft, crew of 4,085, and an estimated construction cost of $90 million—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth and safe transaction.








Monday, 26 January 2026

Circle of Charles Zacharie Landelle, “Velleda”, circa 1870

Unidentified lithographer from the circle of Charles Zacharie Landelle (1812–1908)

“Velleda”, circa 1870

Technical Details & Condition:

Lithograph in the crayon-manner, printed in two colours (black and white) on grey-toned wove paper. The sheet is trimmed with some loss of the publication details, and backed with a support sheet, providing wide margins. This is plate 75 from a series of lithographs designed for study and copying, printed and published in London by George Rowney & Co. The design is based on Charles Zacharie Landelle’s 1870 painting titled, “Velleda, Prophetess of the Bructeri, Exciting her People against the Romans”. See: https://www.rct.uk/collection/search#/1/collection/406704/velleda-prophetess-of-the-bructeri-exciting-her-people-against-the-romans). Interestingly, Landelle’s painting was also reproduced as a photogravure for the cover of “The Illustrated London News” on 31 October 1874. See: https://www.mediastorehouse.com.au/fine-art-finder/artists/english-school/velleda-engraving-23070048.html).

The impression is strong and well-printed. The sheet has two small tears in the edges; otherwise, it is in near pristine condition—free of holes, folds, or stains.

Dimensions:

• Sheet: 46.7 x 29.1 cm

Plate lettering:

• Lower centre: ”No.75_STUDIES IN TWO CRAYONS, AFTER VARIOUS ARTISTS.”

Price & Shipping:

AU$219 (approximately US$151.58 / €127.55 / £110.72), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this striking lithograph depicting Velleda, the first-century prophetess of the Germanic Bructeri tribe, who foretold the success of the Batavian rebellion (69–70 AD) against Rome, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth and safe transaction.















Sunday, 25 January 2026

Tancrède Abraham, “Near Anjou”, c. 1868

Tancrède Abraham (1836–1895)

“Near Anjou” (descriptive title only), circa 1868

Note that I have previously listed another etching by Tancrède Abraham inscribed with the date 1868 that I believe depicts a similar grove of trees in the wetland-marsh at Anjou in the lower Loire valley, north-western France: https://www.printsandprinciples.com/2025/06/tancrede-abraham-wetlands-of-anjou-1868.html.

Technical Details & Condition:

Etching on ochre chine collè on wove paper backed with a support sheet and providing wide margins.

The etching is strong and well-printed. The sheet is in near pristine condition—free of tears, holes, folds and stains.

Dimensions:

• Sheet: 22.7 x 15.9 cm

• Platemark: 22.7 x 11.9 cm

• Chine collé: 18.2 x 11.3 cm

• Image borderline: 18.2 x 10.9 cm

Plate lettering:

• Lower right corner: “TANCRÈDE ABRAH”

References:

• British Museum (see this print in the horizontal scroll of images): https://www.britishmuseum.org/collection/object/P_1924-0820-1-1-9?selectedImageId=1613685626

Beraldi (not described) (Henri Beraldi, “Les Graveurs du XIX Siecle”, 1885,  vol. 1, Paris, Librairie L. Conquet, pp. 11–12). See: https://archive.org/details/lesgraveursdu19e01berauoft/page/10/mode/2up

•  IFF (not described) (Jean Laran, “Inventaire du Fonds Français après 1800: Abbéma–Beaumontr”, 1930-33, vol. 1, Paris, Bibliothèque Nationale de France, Département des Estampes, pp. 21–22). See: https://gallica.bnf.fr/ark:/12148/bpt6k54886103/f25.item

Price & Shipping:

AU$239 (approx. US$165.20 / €139.35 / £120.94), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you’re interested in acquiring this romantic landscape featuring light-tinged trees, rippled water and two birds almost flying out of the scene, please contact me at oz_jim@printsandprinciples.com. I’m happy to provide a secure PayPal invoice for a smooth and safe transaction.