Adriaen Collaert, “Old Age Under the Influence of Jupiter”, 1581, after Maarten de Vos

Adriaen Collaert (circa 1560–1618)

“Old Age Under the Influence of Jupiter” (also known as “Jupiter” and “Ouderdom onder invloed van Jupiter”), 1581

Technical Details & Condition:

Engraving on fine laid paper with full margins as published. This is plate 6 in the series of eight engravings (including the title plate) titled “Septem Planetæ” (aka “The Seven Planets and Seven Ages”; “De zeven planeten en zeven leeftijden”; “Septem planetae, septem hominis”), illustrating the power of the seven planets over the seven ages of mankind. The work is based on a design by Maarten de Vos (aka Maarten de Vos; Maerten de Vos) (1532–1603) and was published in Amsterdam by Gerard de Jode (aka Geeraert/Geerart/Gerardo/Gheerde/Gheraerde/Girard de Jode) (1516/17–1591).

The engraving is a well-printed slightly silvery impression. Aside from holes at the upper edge of the margin, the sheet is in excellent condition, free from no tears, folds, abrasions, or significant stains.

Dimensions:

• Sheet: 36.4 x 25.3 cm

• Platemark: 30.3 x 20.9 cm

• Image borderline: 28.8 x 20.7 cm

Plate Lettering:

• Within the image borderline: (upper edge) “Jvpiter”; (left edge) “Memoria”

• Below the image borderline: (centre) “Vis REMINISCENDI Sexta est senili/ IVPITER hanc sextus rite planeta fouet” (translation: “The power of REMEMBERING is the sixth of the characteristics of old age / JUPITER, the sixth planet, properly fosters this”); (right of centre) “6”

References:

• Hollstein (Maarten de Vos) 1371

• New Hollstein (De Jode dynasty: Gherard) 640

• The British Museum: https://www.britishmuseum.org/collection/object/P_1862-0712-326

• The Rijksmuseum describes this print: “In the sky floats the planetary god Jupiter, seated on an eagle. In the foreground is the personification of Memoria, or memory. She wears a jug-shaped headdress and holds a distilling instrument. Next to her stands Old Age, depicted as a judge. In the background are examples of justice and punishment. The print has a Latin caption and is part of a seven-part series about the power of the seven planets over the seven ages of humanity.” (https://id.rijksmuseum.nl/200175206)

Price & Shipping:

AU$336 (approximately US$224.76 / €193.12 / £167.68), inclusive of worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you're interested in owning this symbolism-rich engraving, completed just 17 years after Michelangelo’s final works, please contact me at oz_jim@printsandprinciples.com. I will gladly send you a PayPal invoice for an easy and secure purchase.

This print has been sold 

Jean François Millet, “Woman Churning Butter”, 1855

Jean François Millet (1814–1875)
“Woman Churning Butter” (also known as “La Baratteuse” and “Woman Churning”), 1855

Technical Details & Condition:

Etching, with touches of drypoint, printed in rich brown ink on buff laid paper. It is from the third and final state, featuring the scratch inscribed address of the printer, Auguste Delâtre (also known as Auguste Marie Delâtre) (1822–1907). The impression is strong and well-printed, though the printer’s address appears faint. The sheet has small margins (approximately 1 cm) with minor age-toning along the edges. There are remnants of mounting on the verso. Overall, it is in very good condition, free from tears, holes, folds, abrasions, or significant stains.

Dimensions:

• Sheet: 19.6 x 13.8 cm
• Platemark: 17.9 x 11.8 cm

Plate Lettering:

• Along the lower edge (faint and partially lost): “Imp^e par Aug. [Delâtre] Rue S^t Jacque 171” 

References:

• Melot M 10 S3 (Michel Melot, Graphic Art of the Pre-Impressionists, 1978, New York, Harry N. Abrams, p. 289, cat. no. M 10)
• The British Museum describes this print as: “Peasant woman churning vat's contents, in barn, cat at her feet. 1855 / Etching, with touches of drypoint” (https://www.britishmuseum.org/collection/object/P_1865-1209-798)

Price & Shipping:

AU$1164 (approximately US$778.07 / €667.74 / £579.27), inclusive of worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this quietly beautiful etching by one of the most renowned French artists of the nineteenth century, please contact me at oz_jim@printsandprinciples.com. I will be happy to provide a PayPal invoice for a smooth and secure transaction.

This print has been sold

Auguste Lemoine, “Portrait of Théodore Géricault”, 1843, after Tony Toullion

Auguste Lemoine (also known as Auguste Charles Lemoine) (1822–1869)
“Portrait of Théodore Géricault”, 1843

Technical Details & Condition:

Lithograph on pale grey chine collé, on heavy wove paper, backed with a support sheet. It was printed in Paris by Lemercier & Cie (fl. 1827–1899) and is based on a painting by Tony Toullion (fl. 1844–1880), depicting the influential French Romantic painter Théodore Géricault (1791–1824). According to the IFF’s description (see catalogue no. 133: https://gallica.bnf.fr/ark:/12148/bpt6k54892331/f497), this print was published as plate 14 in the thirteenth volume of Victor Frond’s “Le Panthéon des Illustrations Françaises au XIXe siècle”. My apologies if I am incorrect in my understanding of the IFF description.

The lithograph is a faultless impression, and the sheet is in excellent condition, free from tears, holes, folds, abrasions, or significant stains.

Please be advised that I previously listed two other portraits of Théodore Géricault that are still available: a lithograph by Francisque Noël (fl. c. 1824–1825) and an engraving by Georges Gorvel (also known as Georges Émile Louis Eugène Gorvel) (1866–1938). For more details, see https://www.printsandprinciples.com/2024/11/portraits-of-theodore-gericault-by.html.

Dimensions:

• Sheet: 34 x 23.8 cm
• Chine collé (image borderline): 25.2 x 19.8 cm

Plate lettering below the image border:

• Left: “Tony Toullion pinx^t.”
• Centre: “Imp. Lemercier & C^e. Paris./ Géricault”
• Right: “Aug. Lemoine lith.” 

Reference:

• IFF 133 (Jacques Lethève & Françoise Gardey, Inventaire du Fonds Français après 1800: LAURENCE–LÉPAGNEZ, 1965, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 13, p. 485, cat. no. 133)

Price & Shipping:

AU$236 (approximately US$158.12 / €135.34 / £117.52), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this superb lithograph capturing the almost hypnotic gaze of the artist behind the iconic image of French Romanticism, “The Raft of the Medusa” (see https://en.wikipedia.org/wiki/The_Raft_of_the_Medusa), please contact me at oz_jim@printsandprinciples.com. I will gladly provide a PayPal invoice for a smooth and secure transaction.

Stefano della Bella, “Entrance to a Fortress”, c. 1645 (2nd copy)

Stefano della Bella (1610–1664)
“Entrance to a Fortress”, circa 1645 (1642–1647)

Technical Details & Condition:

Etching on fine laid paper, trimmed with a narrow margin around the platemark and backed with a support sheet. This work is plate 2 from the series of twelve plates (including the title plate), titled “Dessins de quelques conduits de troupes” (“Troops, Weapons and Attacks”) (see De Vesme/Massar pp. 246–257). Published by Israël Henriet (c. 1590–1661) in Paris with the privilege of the French Crown, and dedicated (as inscribed on the title plate) to Henri Roger du Plessis-Liancourt (1620–1646). His coat-of-arms is depicted on the arcade wall at the right side of the print.

This impression is a richly inked and nearly faultless lifetime impression from the first state (out of three), prior to the erasure of the artist’s name inscribed on the arcade wall in the second state. The sheet’s margins show minor surface marks; otherwise, it is in excellent condition—free from tears, holes, folds, abrasions, or significant stains.

Please note that this is the second impression of this print I have listed. The previous copy, a second state impression, is still available and can be viewed here: https://www.printsandprinciples.com/2023/03/stefano-della-bellas-etching-entrance.html.

Dimensions:

• Sheet: 6.7 x 13.3 cm
• Platemark: 6.4 x 12.7 cm
• Image borderline: 5.8 x 12.4 cm

Plate Lettering:

• Inscribed on the arcade wall with the artist’s name: “Stefanus Della Bella f.”
• Numbered and lettered below the image border: (left) “2”; (right) “Israel ex. SDBella f.”

References:

• De Vesme/Massar 247 (Alexandre de Vesme & Phyllis D. Massar, “Stefano della Bella. Catalogue Raisonné”, 1971, New York, Collectors Editions, p. 84, cat. no. 247; illustrated p. 65, cat. no. 247)
• Jombert (Della Bella) 92 (Charles Antoine Jombert, 1772, “Essai d'un catalogue de l'oeuvre d'Etienne de la Belle, peintre et graveur florentin”, Paris, p. 101, cat. no. 92)
• The Rijksmuseum describes this print: https://id.rijksmuseum.nl/200449937
• The British Museum describes this print: https://www.britishmuseum.org/collection/object/P_1868-0612-1453

Price & Shipping:

AU$271 (approximately US$183.29 / €156.68 / £135.69), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this intriguing glimpse into a quiet moment at a guardhouse in the mid-1600s, created by one of the most renowned old master printmakers, please contact me at oz_jim@printsandprinciples.com. I will gladly send a PayPal invoice to facilitate a smooth and secure transaction.

This print has been sold