Luigi Rossini’s etching, “Avansi della Curia Ostilia Sul Monte Celio”, 1821

Luigi Rossini (1790–1857)

Note that British Museum advises that the figures were (possibly) added by Bartolomeo Pinelli (1781–1835) (see https://www.britishmuseum.org/collection/term/BIOG44271).

“Avansi della Curia Ostilia Sul Monte Celio”— remains of the Curia Hostilia (house for the Roman Senate built by Tullius Hostilius) on Monte Caelio, 1821, plate 89 from the series of 101 views of ancient Rome, “Le Antichità Romane” (The Rome of Antiquity), published in Rome in 1823.This impression is from the 1829 edition showing the plate number (“T. 89”).

Note that plate 39 shows a similar view towards the Curia Hostilia entrance; see https://www.britishmuseum.org/collection/object/P_1935-0520-68. Regarding the Curia Hostilia, Grosvenor prints make the interesting proposal that the building “is more likely to be a substructure of the Temple of Claudius on the Caelian Hill. Through the gateway to the left is the Arch of Constantine” (see Ref: 51521: https://www.grosvenorprints.com/stock.php).

Etching on wove paper with wide margins as published.

Size: (sheet) 51 x 62.8 cm; (plate) 40.5 x 48.5 cm; (image borderline) 39.8 x 47.5 cm.

Inscribed in plate within the image borderline: (on tablet at lower right) “AVANSI DELLA/ CVRIA OSTILIA/ SVL MONTE CELIO”.

Lettered in plate below the image borderline: (left) ROSSINI dis. e inc.”; (right) T. 89 Roma 1821”.

Condition: a richly inked and well-printed impression with generously wide margins. The margins are dusty with small chips to the edge (see the lower left corner and the middle of the upper margin), otherwise the sheet is in an excellent condition with no significant tears, holes, folds, stains or foxing.

I am selling this strong and large etching designed to capture the glory of ancient Rome for folk on their Grand Tour—note how Rossini (like Piranesi) gave a touch of theatricality to his depiction of buildings by using strong chiaroscuro lighting and by ensuring that any awestruck visitors were appropriately small—for a total cost of AU$480 (currently US$359.13/EUR308.24/GBP260.99 at the time of posting this listing) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this spectacularly large and rare print—it is not in the collection of the British Museum or the Rijksmuseum—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold 

Luigi Rossini's etching, “View of a Portion of the Ruins of the Walkway of the Ground Floor of the Colosseum”, 1821

Luigi Rossini (1790–1857)

“View of a Portion of the Ruins of the Walkway of the Ground Floor of the Colosseum” (Caltech Archives’ title) (aka “Veduta di Porzione degli Avanzi dell' Ambulacro del piano terra nel Colosseo”) 1821, plate 79 from the series of 101 engravings, “Le Antichità romane ossia raccolta delle più interessanti vedute di Roma antica" (Buildings and Ruins in Rome and Vicinity), published in two volumes in Rome in 1823 and later in 1829.

Etching on wove paper with wide margins (as published?).

Size: (sheet) 67.2 x 50.5 cm; (plate) 46 x 38.9 cm; (image borderline) 44.3 x 38 cm.

Inscribed on plate below the image borderline: (left) “Rossini dis. e. inc.”; (centre) “Veduta di Porzione degli Avanzi dell' Ambulacro del piano terra nel Colosseo”; (right) “Roma 1821. / T.79.”

Condition: richly inked, superb impression with wide margins. The sheet is in excellent condition for its age (i.e. there are no holes, folds, abrasions, significant stains or foxing, but there is a small closed tear on the upper left edge of the margin).

I am selling this huge etching showing a ground level walkway inside the Colosseum—note how Rossini (like Piranesi) gave a touch of theatricality to his depiction of buildings by using strong chiaroscuro lighting and by ensuring that any awestruck visitors were appropriately small—for a total cost of AU$480 (currently US$330.33/EUR298.22/GBP264.11 at the time of posting this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this spectacularly large and rare print—it is not in the collection of the British Museum or the Rijksmuseum—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold

Luigi Rossini's etching, “View of the Pantheon Interior”, 1823

Luigi Rossini (1790–1857)

“View of the Pantheon Interior” (aka “Veduta dell’ Interno del Panteon di Marco Agrippa”) 1823, plate 10 from the series of 101 engravings, “Le Antichità romane ossia raccolta delle più interessanti vedute di Roma antica" (Buildings and Ruins in Rome and Vicinity), published in two volumes in Rome in 1823 and later in 1829 (see Bonhams Auction [Lot 66, 19 Mar 2014]: https://www.bonhams.com/auctions/21761/lot/66/).

Note: Rossini executed two views of the Pantheon. The Christchurch Art Gallery holds a copy of the exterior view, “Veduta del Pantheon di Agrippa, oggi Chiesa di S. Maria ad Martyres”: https://christchurchartgallery.org.nz/collection/98-83/luigi-rossini/veduta-del-pantheon-di-agrippa-oggi-chiesa-di-s-ma

Etching on wove paper backed with a support sheet.

Size: (sheet) 53.3 x 63.5 cm; (plate) 51.5 x 59 cm; (image borderline) 49.9 x 58 cm.

Inscribed on plate below the image borderline: (left) “Rossini dis. e. inc.”; (centre) “Veduta dell' Interno del Panteon di Marco Agrippa”; (right) “T10 Roma 1823.”

Condition: richly inked, superb impression with small margins, laid upon an archival support of (millennium quality) washi paper. The sheet has small restored tears along the edges and the upper left corner margin is replenished, beyond these addressed issues the sheet is in very good condition for its age (i.e. there are no holes, folds, significant stains or foxing).

I am selling this huge etching of arguably the best preserved of all Roman buildings and burial site of the painters, Raphael and Annibale Carracci, for a total cost of AU$756 (currently US$515.48/EUR467.33/GBP421.14 at the time of posting this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this spectacularly large and rare print—it is not in the collection of the British Museum or the Rijksmuseum (or any of the other major institutions that I searched)—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold