Honoré Daumier’s lithograph, “Vue prise dans la nouvelle rue de Rivoli”, 1852

Honoré Daumier ([pseudonym] Rogelin) (1808–1979)

“Vue prise dans la nouvelle rue de Rivoli.”, 1852, original lithograph published in Paris by Maison Martinet (aka Martinet-Hautecoeur) (fl.1824–) and printed by Charles Trinocq (fl.1851–1854) as Plate 58 (see detail of plate number https://commons.und.edu/daumier-prints/868/)  from the series “Actualités” (News) (Hazard&Delteil [1904] cat. nos. 2757–3821), in “Le Charivari” (24 December, 1852).

Lithograph on wove/newsprint paper with printed text verso, trimmed around the image borderline on the top and sides, but retaining the title and publication details. There are ink and pencil notations from a previous collector above the title and the lower-right corner is replenished. The sheet has been laid upon an archival support sheet of millennium quality washi paper providing wide margins.

Size: (sheet) 22.7 x 26.5 cm.

Inscribed in the stone along the lower edge: (left) “h.D.”; (centre) “468”.

Lettered below the image borderline: (left) “Maison Martinet, r Vivinne, 41, et r. du Coq. 11”; (centre) “Vue prise dans la nouvelle rue de Rivoli.”; (right) “Imp. Ch Trinocq, Cour des Miracles, 9. Paris”.

State ii (of ii) with publication details.

Delteil 2278 (Loys Delteil 1925, “Le Peintre-Graveur Illustré [XIXe et XXe siècles], cat. no. 2278); Hazard & Delteil 3590 (Nicolas-Auguste Hazard & Loys Delteil 1904, “Catalogue raisonné de l'oeuvre lithographié de Honoré Daumier”, cat. no. 3590).

See also the description of this print offered by the Metropolitan Museum of Art (note that the description has the names of the printer and publisher the wrong way around): https://www.metmuseum.org/art/collection/search/644622.

I am selling this superb lithograph satirising Baron Haussmann’s vision of urban renewal to a new street developed through the heart of Paris, the Rue de Rivoli—now one of the most famous streets for shopping—for AU$175 in total (currently US$116.97/EUR105.83/GBP93.16 at the time of this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this marvellously captured scene of hectic urban life in Paris in the mid-1800s, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold 

Honoré Daumier’s lithograph, “A Janitor Posing as a Dignified Man”, 1856

Honoré Daumier (1808–1879)

“A Janitor Posing as a Dignified Man” (plate title: “- Je ne vois pas pourquoi on ne nous nommerait pas aussi un de ces jours, membres du conseil de surveillance ...... ça n'est pas difficile d'avoir un air de dignité ...... voici comme il suffit de se poser!.......” [transl.] “I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?”), 1856, plate number 2 (stone number 926) from the series, “Croquis Parisiens” (Parisian sketches—a series of 120 prints “published in the Charivari, in the Journal Amusant and in the Petit Journal pour Rire between September 1852 and February 1877” [see http://www.daumier-register.org/hintergrundlist_popup.php?key_m=2801]), showing a light-hearted characterisation of the pose assumed by dignified officials, printed by Destouches (fl. 1855–1869) and published in Paris by Martinet-Hautecoeur (aka Martinet) (fl. 1824–) in “Le Charivari”, May 28, 1856.

Brandeis Institutional Repository offers the following insights about this lithograph:

“A janitor is posing and wondering why he has not been nominated for a council. Both men note that it is not very difficult to pose as a dignified man. Similar to the series “Les bons bourgeois” the Croquis Parisiens are dealing with numerous small misfortunes in the life of the Parisians” (http://hdl.handle.net/10192/3215).

Google Translate explains the meaning of the journal title, “Le Charivari”: “a cacophonous mock serenade, typically performed by a group of people in derision of an unpopular person or in celebration of a marriage”.

Lithograph on thin wove (newsprint) paper trimmed with a narrow margin around the image with printed text verso (as published in “Le Charivari”), backed with a support sheet.

Size: (sheet) 23.3 x 25.8 cm; (inner image borderline) 19.9 x 24.8 cm.

Lettered in stone: (within the image borderline at lower left) “h.D.”; (within the image borderline at lower right) “926”; (below the image borderline at left) “maison Martinet,146,r.Rivoli et 41,r.Vivienne.”; (below the image borderline at centre) “- Je ne vois pas pourquoi on ne nous nommerait pas aussi un de ces jours, membres du conseil de surveillance ...... ça n'est pas difficile d'avoir un air de dignité ...... voici comme il suffit de se poser!.......”; (below the image borderline at right) “Lith. Destouches, 28,r.Paradis Pre-Paris.”

State ii (of ii) the published state with the addition of lettered text below the image borderline.

Delteil  2801 (Loys Delteil 1902, “Le Peintre-Graveur Illustré (XIXe et XXe siècles)”, 31 vols, Paris).

Daumier.org offers technical, descriptive and background details regarding this lithograph: http://www.daumier-register.org/werkview.php?key=2801.

Condition: a strong impression, trimmed close to the image borderline, but retaining the text lines and laid upon a support of archival (millennium quality) washi paper. The sheet is in a near pristine condition with no tears, holes, folds, abrasions, stains, foxing or signs of handling.

I am selling this confident and loosely drawn lithograph showing two janitors discussing the importance of looking dignified if they wished to become council officials, for AU$181 in total (currently US$132.79/EUR116/GBP98.97 at the time of this listing) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this fascinating caricature of two janitors in conversation—note how the angle of the feather duster held by the janitor on the left matches the angle of his haughty backward tilt and the suggestion of burred foreshortening on the right janitor’s arm—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold