Showing posts with label Delâtre (Auguste). Show all posts
Showing posts with label Delâtre (Auguste). Show all posts

Monday, 15 June 2026

Charles Jacque, “Les Liseurs”, 1844

Charles Jacque (also known as Charles Émile Jacque) (1813–1894)

Les Liseurs (The Readers) Also known as “Liseurs (effet de lumière)” and “Chanteurs Nocturnes”, 1844

Technical Details & Condition:

Etching on wove paper with wide margins. Printed in Paris by Auguste Delâtre (also known as Auguste Marie Delâtre, 1822–1907) in 1853 (dated by the period the printer occupied the inscribed address). The print is numbered “5” from a series of etchings by Jacque executed between 1843 and 1845 and published by the Alliance des Arts (Marchant), bearing the ink stamp “555” in the lower-right corner. Although Guiffrey’s (1868) catalogue of Jacque’s prints does not record this specific lettered state, Guiffrey notes that in the second state, engraved lines were added to the figure (see pp. 38–39).

The impression is richly inked and well-printed, showing slight signs of plate wear to the more distant face. The sheet remains in near pristine condition—entirely free of tears, holes, folds, or significant stains.

British Museum Description:

The readers: a man seen half-length, standing in the dark, his face lit by candlelight, reading a letter and smiling; another figure reads over his shoulder; finished state, with hatching on the neck and the forehead of the main figure, with production and publication detail. 1844” (BM no. 1889,0608.24).

Dimensions:

• Sheet: 32 x 24.6 cm
• Platemark: 14.6 x 14.5 cm
• Image borderline: 12 x 12 cm

Plate Lettering:

• Below the image (left): “5. (Alliance des Arts) Merchant, r. de Rivoli, 140 / [scratched signature] CH. JACQUE”
• Below the image (right of centre): “Imp Aug Delatre Rue de la Bucherie, 6”

References:

•  Guiffrey 20 (J.-J. Guiffrey, “L’Oeuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes Sèches,” 1868, Paris, Lemaire, pp. 38–39, cat. no. 20 [Note: this lettered state is undocumented])
• British Museum:
https://www.britishmuseum.org/collection/object/P_1889-0608-24  
• IFF 64 (Jean Adhémar & Jacques Lethève, “Inventaire du Fonds Français après 1800: HUMBLOT–JYG,” vol. 11, 1960, Paris, Bibliothèque Nationale de France, p. 103, cat. no. 64)—
https://gallica.bnf.fr/ark:/12148/bpt6k5489301d/f115.item    
• Beraldi 20 (Henri Beraldi, “Les Graveurs du Dix-Neuvième Siècle: GUÉRIN–LACOSTE,” vol. VIII, 1889, Paris, Librairie L. Conquet, p. 177, cat. no. 20)

Price & Shipping:

AU$254 (approximately US$179.78 / €154.83 / £133.70), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

If you’re interested in this dramatically bold 19th-century depiction of candlelight illuminating two figures reading—note in particular the clusters of parallel strokes above the flare of the flame, suggesting not only the three-dimensional form of the ball of light but also connoting a sense of almost atmospheric turbidity as it fades into darkness—please contact me at oz_jim@printsandprinciples.com. I’ll gladly provide a secure PayPal invoice for a seamless purchase.















Saturday, 11 April 2026

Alfred Brunet-Debaines, “Ruines du Château de Tancarville”, 1866

Alfred Brunet-Debaines (also known as Alfred-Louis Brunet-Debaines) (1845–1939)

“Ruines du Château de Tancarville” (Ruins of Tancarville Castle), 1866

Technical Details & Condition:

Etching with plate tone on fine buff laid paper with wide margins. This print is plate 230 from the series “Eaux-Fortes Modernes” [Modern Etchings], published in Paris in 1866 by Cadart & Luquet (Alfred Cadart and Jules Luquet) (active from 1863 to 1867), for the Société des Aquafortistes (Society of Etchers) (fl. 1862–1867). The print bears the publisher’s blind-stamp at the lower centre in the margin: “L. CADART & LUQUET / ÉDITURE / 79 R. RICHELIEU”, and was printed by Auguste Delâtre (1822–1907).

This is a strong, well-printed impression—near faultless—with generously wide margins. The sheet is in near-pristine condition, free of tears, holes, folds, abrasions, stains, or signs of handling.

Dimensions:

• Sheet: 52.2 x 33.5 cm
• Platemark: 31.5 x 23 cm
• Oval Image borderline: 24.5 x 18.4 cm

In-Plate Lettering:

• Upper right: “230.”
• Within the oval border at lower right: “A. Brunet Debaines”
• Lower left: “A. Brunet Debaines sculp.”
• Lower centre: “RUINES DU CHÂTEAU DE TANCARVILLE. / (Seine Inférieure.) / Paris, Publié par CADART & LUQUET, Editeurs. 79 Rue Richelieu.”
• Lower right: “Imp. Delâtre, Rue St. Jacques, 303, Paris.”

References:

• IFF 2 (Jean Laren & Jean Adhémar, Inventaire du Fonds Français après 1800: BOCQVIN–BYON, 1942, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 3, p. 480, cat. no. 2)
• Beraldi 5 (Henri Beraldi, Les Graveurs du Dix-Neuvième Siècle: BRASCASSAT– CHÉRET, 1886, vol. IV, Paris, Librairie L. Conquet, p. 22, cat. no. 5)
• National Gallery of Australia (NGA): https://searchthecollection.nga.gov.au/object/35023
• British Museum: https://www.britishmuseum.org/collection/object/P_1866-1110-1412

Price & Shipping:

AU$232 (approx. US$163.84 / €139.69 / £121.72), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

To acquire this sublimely romantic portrayal of the 11th-century castle near Tancarville in Seine-Maritime, Normandy, France—where the oval (ovato tondo) format lends a poetic, possibly even melancholic, mood—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless transaction.
















Sunday, 5 April 2026

Auguste Feyen-Perrin, “Éclair”, 1868

Auguste Feyen-Perrin (also known as François-Nicolas-Augustin Feyen-Perrin) (1826-1888)

“Éclair”—lightning or a flash of lightning (not the French pastry eaten “in a flash”), 1868

Technical Details & Condition:

Etching and aquatint on fine laid paper. The plate is numbered 32 from first volume (1868) of the series “L’Illustration Nouvelle” published in Paris by Cadart & Luce (Alfred Cadart and his assistant Léandre Luce) (fl. 1867–1870/1). It was printed by Auguste Delâtre (1822–1907).

This is a richly inked and well-printed impression with generously wide margins. Aside from minor age-toning, the sheet is in excellent condition, free of tears, holes, folds, abrasions, or significant stains.

Dimensions:

• Sheet: 32.5 x 40.2 cm
• Platemark: 15.1 x 25 cm
• Image borderline: 12.9 x 20.4 cm

Plate Lettering:

• Lower left: “Feyen-Perrin sc.”
• Lower centre: “ÉCLAIR / CADART & LUCE, Editeurs,Rue Nve des Mathurins,58.”
• Upper right: “32.”
• Lower right: “Imp.Delâtre,Paris.”

References:

• British Museum: https://www.britishmuseum.org/collection/object/P_1870-0514-861
• Kunsthalle Bremen: https://bremen.museum-digital.de/object/19491  

Price & Shipping:

AU$229 (approximately US$158.23 / €137.25 / £119.72), including worldwide express shipping. Import duties are the buyer’s responsibility.

If you are interested in acquiring this eye-catching etching of a female nude illuminated against darkness like a lightning flash, please contact me at oz_jim@printsandprinciples.com. I will be happy to provide a PayPal invoice to facilitate a smooth and secure purchase.

This print has been sold 











Thursday, 5 March 2026

Charles Jacque, “Troupeau de Porcs,” 1868

Charles Jacque (also known as Charles Émile Jacque) (1813–1894)
“Troupeau de Porcs” (Herd of Pigs), 1868

Technical Details & Condition:

Etching and drypoint, printed in a warm black ink on laid paper with wide margins. This impression is from the second state, with added details to the sky, and printed in Paris by Auguste Delâtre (1822–1907). 

The supplement to the Guiffrey catalogue (1884) describes this print (translated): “In a wild place, bordered by rocks and planted with six stunted poplars, a herd of pigs advances, the two on the right having strayed slightly; in front, a country girl holds a stick with her hands clasped behind her.” (p. 8, cat. no. 225)

The impression is richly inked and well-printed—near faultless. Aside from faint marks in the lower margin, the sheet is in excellent condition, free from tears, holes, folds, or significant stains.

Dimensions:

• Sheet: 26.4 x 34.7 cm
• Platemark: 18.1 x 23.9 cm
• Image borderline: 14 x 20.3 cm

Plate Lettering:

• Within the image borderline at lower left corner: “ch. Jacque/ 1868.”
• Below the image borderline: (from left to right) “CH.JACQUE,INV. ET SC.”, “TROUPEAU DE PORCS”, “IMP.DELÂTRE,PARIS.”

References:

• Guiffrey 225 (J.-J. Guiffrey, “L’Oeuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes Sèches: Supplément au Catalogue,” 1884, Paris, Jouast et Sigaux, p. 8, cat. no. 225)— https://archive.org/details/nouvelleseauxfor00guif/page/8/mode/2up
• Beraldi 433 (Henri Beraldi, “Les Graveurs du Dix-Neuvième Siècle: GUÉRIN–LACOSTE,” vol. VIII, 1889, Paris, Librairie L. Conquet, p. 189, cat. no. 433)
• IFF 133 (Jean Adhémar & Jacques Lethève, “Inventaire du Fonds Français après 1800: HUMBLOT–JYG,” vol. 11, 1960, Paris, Bibliothèque Nationale de France, p. 117, cat. no. 328)
• British Museum: https://www.britishmuseum.org/collection/object/P_1874-1212-537  
• Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/835101

Price & Shipping:

AU$298 (approximately US$209.03 / €180.02 / £156.48), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you’re interested in this superb impression and a truly exemplary etching of the Barbizon School, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.