Jean-Baptiste Lucien, “Two Ornamental Vases”, c. 1778, after André-Louis Caillouet

Jean-Baptiste Lucien (c. 1748–1806)

“Two Ornamental Vases” (descriptive title only), c. 1778, plates 2 (left image) and 3 (right image) from the twelfth book of designs after André-Louis Caillouet (fl. c. 1778–1817), published in Paris in 1778 by Jacques François Chereau (1742–1794) in “Principes d'Ornemens: Contenant les Premières Esquisses, Feurons, Chapiteaux, Modillons, Frises, Vases et Autres Parties d'Architecture” (Ornament Principles: Containing the First Sketches, Feurons, Capitals, Modillions, Friezes, Vases and Other Parts of Architecture) and later in 1803 by François Étienne Joubert (fl. 1787–1836) (see the account of this publication offered by the Metropolitan Museum of Art (https://www.metmuseum.org/art/collection/search/712263) and view these prints in the context of the publication offered by archive.org:  ([plate 2] https://archive.org/details/gri_33125010924575/page/n70/mode/2up; [Plate 3] https://archive.org/details/gri_33125010924575/page/n69/mode/2up.

These impressions are from the first edition by Chereau and were published with Royal privilege (“C. P. R.” [Cum Privilegio Regis]).

Soft-ground etchings with stipple roulette in the crayon manner (Manière de crayon) printed in sanguine coloured ink on laid paper trimmed within the platemark with loss of the plate numbers.

Size of plate 2: (sheet) 38.5 x 24.2 cm.

Inscribed in plate: (upper right) “I”.

Inscribed in plate along the lower edge: (left) “Caillouet Del.”; (left of centre) “Chereau Exc.” (right of centre) “C. P. R.”; (right) “Lucien sculp.”

Condition: strong and well-printed lifetime impressions. Beyond minor chips and handling marks, both sheets are in a very good condition with no stains of other significant issues.

Price & Shipping: AU$324 in total for the set of both etchings (approximately US$213.38 / €183.47 / £161.53), including worldwide express shipping. Please note that import duties are the buyer's responsibility.

If you are interested in purchasing this marvellous pair of crayon-manner etchings designed to showcase principles of ornament, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

Elisabeth Brinclaire’s crayon manner etching, “Ceiling Between Columns at the Temple of Jupiter in Rome”, c1780

Elisabeth Brinclaire (aka Elisabeth Brainclaire) (born 1751–?)

“Ceiling Between Columns at the Temple of Jupiter in Rome” (aka “Plafond d'Entre-Colonnenment au Temple de Jupiter Tonnant”), c1780 (1778–1782), plate 14 from the series, “Huitième Cahier du Recueil d'Ornemens”, after the design by monogrammist R. L. (possibly Richard de Lalonde [fl.1780–90]), published in Paris by Jacques François Chereau (1742–1794).

The Metropolitan Museum of Art offers a description of this print and the series in which it features: https://www.metmuseum.org/art/collection/search/712238?sortBy=Relevance&ft=Elisabeth+Brinclaire&offset=0&rpp=40&pos=11.

See also the online view of this and the other prints in the series offered by Bibliothèque numérique de l'INHA: https://bibliotheque-numerique.inha.fr/viewer/19655/?offset=#page=18&viewer=picture&o=bookmark&n=0&q=.

Soft-ground etching with roulette in the crayon manner printed in sanguine coloured ink on laid paper with narrow margins around the image borderline and backed with a support sheet.

Size: (support sheet) 49.8 x 64.1 cm; (sheet) 41 x 54.9 cm; (image borderline) 39.5 x 54 cm.

Lettered in plate above the image borderline: (centre) “Plafond d'Entre-Colonnenment au Temple de Jupiter Tonnant.”

Lettered in plate below the image borderline: (left) “R. L . Del.”; (right) “Gravé par M^lle. Brinclaire”.

SKB 509 and p. 649.509 (R.L., incomplete); Jessen 309 (R.L., only 1 plate); Guilmard 263.110 (R.L., incomplete); Foulc 327 (R.L., 12 cahiers).

Condition: a strong and well-printed impression trimmed with a small margin around the image borderline and laid upon a support of archival (millennium quality) washi paper providing wide margins. The sheet has light pencil notations and grid lines (possibly a past collector drew up a grid to copy the design). There is also a flattened centre-fold and the lower left corner is chipped with loss of the corner margin. Beyond these issues, the sheet is in a good condition for its large size and age.

I am selling this rare, large and very beautiful soft-ground etching by one of the few documented female printmakers from the 1700s, for AU$472 (currently US$328.48/EUR309.99/GBP267.33 at the time of posting this print) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this superb engraving of an ornament feature in the Temple of Jupiter Tonans on the Capitoline Hill, Rome, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold

Jean-Baptiste Lucien’s stipple etching, “Architectural Ornaments and Profile Views”, c1778, after André-Louis Caillouet

Jean-Baptiste Lucien (c1748–1806)

“Architectural Ornaments and Profile Views” (descriptive title only), c1778, plate M from the twelfth book of designs after André-Louis Caillouet (fl.c.1778–1817), published in Paris in 1778 by Jacques François Chereau (1742–1794) in “Principes d'Ornemens: Contenant les Premières Esquisses, Feurons, Chapiteaux, Modillons, Frises, Vases et Autres Parties d'Architecture” (Ornament Principles: Containing the First Sketches, Feurons, Capitals, Modillions, Friezes, Vases and Other Parts of Architecture) and later in 1803 by François Étienne Joubert (fl. 1787–1836) (see the account of this publication offered by the Metropolitan Museum of Art (https://www.metmuseum.org/art/collection/search/712263) and the online view of this publication offered by archive.org (https://archive.org/details/gri_33125010924575/page/n90/mode/2up).

Etching with stipple roulette in the crayon manner (Manière de crayon) printed in sanguine coloured ink on laid paper backed with a support sheet.

Size: (sheet) 31.5 x 46.5cm; (plate) 24.8 x 38.3 cm.

Inscribed in plate: (upper right) “M”; (lower left) “Caillouet inv.”; (lower centre) “XII^e Cahier/ de Principes d'Ornement, Dessinés par Caillouet./ A Paris chez Joubert, rue des Mathurins, aux deux/ Pitiers d'Or.”; (lower right) “Lucien sculps.”

Condition: a strong and well-printed impression laid upon an archival support sheet of millennium quality washi paper. There is a replenished hole at lower centre with toning and fracturing of the sheet at its edges.

I am selling this very beautiful sheet of classical architectural designs, for AU$202 (currently US$144.73/EUR127.64/GBP108.57at the time of this listing) including postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this marvellous page of ornament designs, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

Jean-Baptiste Lucien’s crayon-manner etching, “Acanthus Leaf Ornaments: Plate 2”, 1778, after André-Louis Caillouet

Jean-Baptiste Lucien (1748–1806)

“Acanthus Leaf Ornaments: Plate 2” (descriptive title only), 1778, after the design by André-Louis Caillouet (fl.c.1778–1817), published from 1778 to 1803—I believe that the earlier editions are printed in sanguine coloured ink and the later editions in black ink—by Jacques François Chereau (1742–1794) in “Principes d'ornemens: contenant les premières esquisses, fleurons, chapiteaux, modillons, frises, vases et autres parties d'architecture” (see the account of this publication offered by the Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/712263 and a later edition published by Joubert and printed in black ink available for online viewing/downloading offered by archive.org: https://archive.org/details/gri_33125010924575/page/n35/mode/2up).

Crayon manner (Manière de crayon) etching printed in sanguine coloured ink on laid paper backed with a support sheet.

Size: (sheet) 30 x 41.1 cm; (plate) 24.6 x 37.8 cm.

Inscribed on plate: (upper-right corner) “E”; (lower-left corner) “Caillouet Del”; (lower-left of centre) “Chereau Exc.”; (lower-right of centre) “APDR.”; (lower-right corner) Lucien Sculp. 2”.

Condition: richly inked and strong impression laid upon an archival support sheet of millennium quality washi paper. The sheet is in an excellent condition.

I am selling this very beautiful etching executed with a stipple roulette designed to mimic the grainy lines of a chalk drawing, for AU$194 (currently US$135.57/EUR118.74/GBP107.93 at the time of this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this excellent example of an acanthus leaf motif ornament design, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold

Jean-Baptiste Lucien (attributed) crayon-manner stippled engravings after Jacques François Chereau

Unidentified artist but most probably Jean-Baptiste Lucien (c.1748–1806) after the design by André-Louis Caillouet (c.1778–1817), published by Jacques François Chereau (1742–94).

(Note that the attribution to Jean-Baptiste Lucien and the circa dating is based entirely on the similarity of these prints to the work of Lucien and his publication of crayon manner ornamental designs.)

(upper image) “Plate 56”, c.1780, (sheet) 25 x 34 cm, (plate) 23.8 x 31.1 cm

(lower image) “Plate 71”, c.1780, (sheet) 25 x 34 cm, (plate) 23 x 29.8 cm

Crayon-manner stippled engravings printed in sanguine ink on fine laid paper.

The National Gallery of Art offers the following description of the crayon manner printing process

“Chalk manner (also called crayon manner) is a printmaking technique that imitates the appearance of chalk lines. … Special toothed tools—roulettes, mattoirs (punches), champignons (literally, "mushrooms"), and the like—were used to create dotted patterns on the plate that suggest the grainy appearance of chalk strokes on paper.” (https://www.nga.gov/exhibitions/clrflimpr-tech.shtm)

Lettered with the plate numbers (upper left) and copyright “Privilége du Roȉ”(lower left)

Condition: prints are strong impressions with margins in very good condition for their age (i.e. the sheets have no tears, stains, holes, folds or foxing).

I am selling both of these original crayon-manner stippled engravings for the total cost of AU$128 (currently US$111.93/EUR101.45/GBP86.51 at the time of posting this print) including postage and handling to anywhere in the world.

If you are interested in purchasing this pair of beautiful ornamental designs, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

If my attribution of these prints to a folio by Jean-Baptiste Lucien is correct, then the following information offered by The Metropolitan Museum is interesting:

“The publisher Chéreau advertised the work as being in preparation as early as 1778 … : [Google Translation from French] 'Now etched in this way [in imitation of Crayon], a significant result of the Drawings of ornaments from the most beautiful monuments of Rome, this suite will contain rosettes, the friezes, the Capitals, & c. & Will be updated by notebooks of different sizes & at various prices. It will form a very interesting volume useful to artists. The first notebooks [to be published] sometime in 1778.’” (See the original French text at: http://www.metmuseum.org/art/collection/search/712263)