Showing posts with label Bulliard (Pierre). Show all posts
Showing posts with label Bulliard (Pierre). Show all posts

Tuesday, 2 July 2019

Pierre Bulliard's Le Blon-Gauthier process coloured engraving, “La Savonaire Officinale”, 1780


Pierre Bulliard (aka Jean Baptiste François Pierre Bulliard) (c1742–1793)

“La Savonaire Officinale” (aka Common Soapwart), 1780, plate 257 illustration to “Plante Médicinale de la France” (aka “Herbier de la France ou collection complète des plantes indigènes de ce royaume ; avec leurs détails anatomiques, leurs propriétés, et leurs usages en médecine”), vol. III, engraved, printed and published by Pierre Bulliard in Paris. (Note that this is one of the earliest books botanical books printed in colour—without hand–colouring in watercolour.)

Engraving coloured by the painstaking and rare Le Blon-Gauthier process (i.e. these impressions are not coloured by watercolour or retouched by hand, but rather the prints were created through the superimposition of up to four plates inked separately by the technique called "à la poupée" for each colour) with full margins and binding hoes (as published) and backed with a support sheet.
Size: (sheet) 33 x 24 cm; (plate) 23 x 17.1 cm; (image borderline) 17.5 x 15.5 cm.
Lettered on plate above the image borderline: (centre) “PLANTE MEDICINALE DE LA FRANCE.”; (right) “PL. 257.”
Indexed on plate within the image borderline with letters from “A” to “H”.
Lettered on plate below the image borderline with nine lines of text: (centre) “LA SAVONAIRE OFFICINALE. FI. FR. … d’usage en Medecine.”

See description of this print at Medic@ (Banque d'images et de portraits): www.biusante.parisdescartes.fr/histmed/image?med08338x03x0057

Condition: Near faultless impression of this rare print with fine colouring by the Le Blon-Gauthier method in excellent/museum quality condition (i.e. there are no tears, holes, folds, abrasions, significant stains or foxing). The sheet is laid on a support of archival (millennium quality) washi paper.

I am selling this beautifully executed engraving coloured by the remarkable Le Blon-Gauthier method for the total cost of AU$198 (currently US$138.22/EUR122.35/GBP109.53 at the time of this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this rare engraving of great historical importance in the development of colour prints, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold



This rare print should make printmakers sit up straight—or at least do a small nod of appreciation for Bulliard’s skill and perseverance to personally ink and print all the plates (this is plate 257) in his publication AND in an edition. What make Bulliard’s enterprise so amazing is that the technique he used to create each print involves at least three engraved plates—perhaps four—each inked with different colours and printed so that they are superimposed upon each other to create the full-colour print.

According to Wikipedia, this plant, the Saponaria Officinalis has a variety of uses: “… depurative, diuretic, choleretic and worming. It is used against the rheumatism and gout, against certain skin diseases and as an expectorant for the affections of the oral cavity (tonsillitis, mouth ulcers, etc.). Decoction Saponaire applied to the face effectively fights against skin diseases such as the acne. The Romans put in the bath to cure itching. Leper colonies used it to clean the wounds of lepers. … As the timber Panama, flowering tops or rhizomes could replace soap to wash delicate clothing susceptible to fading. It is also used to clean black aprons. This is because it contains saponin, a substance that has the property of lather like soap, that officinale Saponaire also bears the name ‘soap grass’, ‘soap ditch’, ‘soap dish’, ‘laurel bloomed’, ‘grass woman.’ When dried and cleaned, the roots can be used in the manufacture of a once qu'utilisaient powder residents to wash their hands. Mixed with soda, it could also scouring and bleaching wool and lace pale, hence its other name ‘grass fuller.’” (https://en.wikipedia.org/wiki/Saponaria_officinalis)









Thursday, 17 May 2018

Pierre Bulliard’s engraving, “Common Daisy”, 1780


Jean Baptiste François Pierre Bulliard (aka Pierre Bulliard) (1742–93)

“Plate 173: Bellis perennis (Common daisy), 1780, from “Herbier de la France, ou Collection complette des Plantes Indigènes de ce Royaume; avec leurs détails anatomiques, leurs propriétés, et leurs usages en Médecine.” (one of the first botanical books printed in colour and, interestingly, one of the few with plates designed and printed by the artist himself).

Engraving coloured by the painstaking and rare Le Blon-Gauthier process (i.e. these impressions are not coloured by watercolour or retouched by hand, but rather the prints were created through the superimposition of up to four plates inked separately by the technique called "à la poupée" for each colour).

Size: (sheet) 27 x 20.8 cm; (plate) 23.1 x 17.1 cm; (image borderline) 18 x 15.4 cm
See additional plates from this publication (“Herbier de la France”): http://www.biusante.parisdescartes.fr/histoire/medica/resultats/?cote=08338x04&do=pages 

Condition: faultless impression of this rare print with fine colouring by the Le Blon-Gauthier method. The sheet is in pristine condition (i.e. there are no tears, holes, folds, abrasions, stains or foxing), backed on a support sheet of archival (millennium quality) washi paper.

I am selling this colour printed (as opposed to hand coloured) engraving from one of the first colour printed botanical books, for the total cost of AU$143 (currently US$107.46/EUR91.03/GBP79.57 at the time of this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this beautiful botanical illustration that is also an historical milestone in colour printing, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold



This seemingly simple botanical illustration is a milestone in colour printing. What makes it special is that the colours are printed (rather than coloured by hand) by the superimposition of up to four engraved plates inked separately by the technique called "à la poupée" for each colour. Not only was the process (called the Le Blon-Gauthier process) slow and laborious, but in the case of this print and the others illustrating “Herbier de la France …” it was engraved, inked, wiped and printed at each stage by the artist. In short, this print when it was being printed has only been touched by Bulliard himself.

To a certain extent, colour woodblock prints (like the previous one that I posted) also involve separate plates of different colours superimposed to create a single image, but any artist who has explored working with multiple colours using oil-based inks on an intaglio plate (unlike the water-based inks of woodblock prints) knows that the viscosity of each colour—i.e. its oil content—needs to be adjusted so that the colours “stick.”