Henri Guérard’s etching, “The Executioner, Black Reaper, Standing in His Cart”, 1875

Henri Guérard (aka Henri Charles Guérard) (1846–1897)

“The Executioner, Black Reaper, Standing in His Cart” (aka “Aux Femmes”), 1875, plate eight from the series of ten etchings illustrating Victor Hugo's scathing condemnation of Louis-Napoléon's regime, “Les Châtiments” (The Punishments), published in 1875 by Librairie Nouvelle (fl.1851–1880) in Paris and printed by Charles Delâtre (fl.c.1872–1876) on “papier de Hollande”—a “luxury” Dutch laid paper. I understand that excerpts from “Les Châtiments” were printed on loose thin sheets and inserted between the prints (see https://www.britishmuseum.org/collection/object/P_1900-1231-6048).

The Curator of the British Museum advises that this print “… illustrates two verses from the poem 'Aux Femmes': 'Le bourreau, noir faucheur, debout dans sa charrette, / Revient de la moisson avec son panier plein' [The executioner, black reaper, standing in his cart, / Comes back from the harvest with his basket full]” (https://www.britishmuseum.org/collection/object/P_1900-1231-6055).

Etching with retroussage toning on cream laid paper with full margins as published.

Size: (sheet) 27.3 x 17.3 cm; (plate 14.6 x 10.3 cm; (image borderline) 13.3 x 9.4 cm.

Inscribed on plate: (lower left) [artist’s monogram]; (lower centre) “VIII”; (lower right on edge) “IMP. CH. DELÂTRE”.

Beraldi 556–565 (Henri Beraldi 1888, “Les graveurs du 19e siècle; guide de l'amateur d'estampes modernes”, vol. 7, Paris, L Conquet, p. 273 [https://archive.org/details/lesgraveursdu19e07berauoft/page/272/mode/2up]).

Les Musées de la Ville de Paris offers the following insights about the series of etchings in which this print features:

(Transl.) “The engraver Henri Guérard, who was close to Manet, who considered him 'the only etcher' and his 'best shooter', made his debut in the entourage of Richard Lesclide, secretary of Victor Hugo, by collaborating in particular on its review 'Paris à l'eau-forte'. It was at Lesclide's request that Guérard produced at least two series of etchings for the in-8 publication of Victor Hugo's 'Châtiments' in the New Bookstore Edition, but also for 'napoléon le patit' and perhaps be for 'Story of a crime'. The engravings would have been censored. In fact, they are not announced by the Bibliography of France, nor even indicated in the Inventory of the French collection of the National Library. Only the series for 'Les Châtiments' seems to have been published in a portfolio under the title: 'Series of ten etchings by Henry Guérard on Dutch paper for the illustration of the Châtiments by Victor Hugo, Paris, Librairie Nouvelle', at price of 6 francs. Only some plates have a final letter with a number. The numbering is also discontinuous. The collection preserved by the museum is particularly valuable, given the reported rarity of these engravings. In fact, it retains compositions and variations not selected, as well as practice tests.” (https://www.parismuseescollections.paris.fr/fr/node/695172#infos-principales)

Condition: near faultless impression with full margins in near pristine condition (i.e. there are no tears, holes, folds, abrasions, stains, foxing or signs of handling).

I am selling this exceptionally rare etching for AU$223 (currently US$159.93/EUR136.19/GBP123.69 at the time of posting this print) including Express Mail (EMS) postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries.

If you are interested in purchasing this grimly superb etching of an executioner holding an axe on his horse-drawn cart, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold

Charles Henri Guérard’s etching,“Vase en Verre Antique”, 1887

Charles Henri Guérard (1846–1897)

“Vase en Verre Antique” (Antique Glass Vase) (aka “Seau en Cristal de Roche” [Rock Crystal Bucket”]), 1887, published on page 298 for the article on page 361, “Le Trésor de Saint-Marc a Venise”, in the “Gazette des Beaux-Arts” (April, 1887) in Paris. The portrayed object is held in the Treasury of the Basilica of San Marco in Venice (as inscribed on the plate).

Drypoint with dot roulette, aquatint and pale plate tone on cream chine collé (China) on heavy wove paper with full margins as published.

Size: (sheet) 44.9 x 31.7 cm; (plate) 23.7 x 15.7 cm; (chine collé) 23 x 14.6 cm; (image borderline) 20.6 x 13.5 cm.

Inscribed on plate within the image borderline: (lower left) “H. GUERARD.”

Lettered on plate below the image borderline: (left) “H. Guérard sc.”; (centre) “VASE EN VERRE ANTIQUE/ ( Trésor de la Basilique de S. Marc a Venise. )”; (right) “Gazette des Beaux-Arts.”

Bertin 579 (Claudie Bertin 1975, “Henri Guérard 1846–1897: L'Oeuvre Gravé”, Paris, Ecole du Louvre, cat. no. 579).

For an interesting discussion of Guérard’s prints, see the exhibition essay, “The Prints of

Henri-Charles Guérard 1846–1897: A Curious Hand” (The New York Public Library, 2016–17):

https://www.nypl.org/sites/default/files/guerardbrochure_final_rev_1.pdf.

See also the online collection of prints by Guérard offered by The New York Public Library:

https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&keywords=GU%C3%89RARD#.

Condition: a near faultless impression in museum-quality/near pristine condition (i.e. there are no tears, holes, folds, abrasions, significant stains, foxing or signs of use).

I am selling this unassuming masterwork from the late 19^th century showing true creative invention in rendering the shadows, reflections and transparency of crystal and the polished surface of metal for AU$230 (currently US$160.14/EUR142.22/GBP127.60 at the time of posting this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing this remarkable print showcasing Guérard’s rare technical skills in minetic rendering, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold