Claudine Bouzonnet Stella, “The Denial of St Peter”, c. 1694

Claudine Bouzonnet Stella (also known as Claudia Bouzonnet-Stella) (1636–1697)
“The Denial of St Peter”, circa 1694 (1690–1697)

Technical Details & Condition:
Etching with engraving on heavy buff-coloured laid paper, with deckle edges on three sides and wide margins as issued. This is plate 7 from the series of 13—or arguably 14—plates (see BM no. U,7.37 for the British Museum curator’s comments), titled “Life and Passion of Christ” (La Vie et la Passion du Christ, or Het leven en lijden van Christus), published in Paris with privilege from Louis XIV. It is based on an intermediary design by Jacques Stella (1596–1657) and a painting of the same composition, previously attributed to Nicolas Poussin (1594–1665). G. K. Nagler (1847) notes that there are two states of the prints in this series, with the second state lettered, as is the case with this impression.

This is a richly inked, well-printed, and nearly faultless impression. Aside from minor handling marks consistent with the size and age of the print, the sheet remains in excellent condition—free of tears, holes, folds, or significant stains.

Dimensions:

• Sheet: 59.5 x 43.5 cm
• Platemark: 45.8 x 36.1 cm
• Image borderline: 42.8 x 34 cm

In-Plate Lettering (below the image border):

• Left: “N. Poussin Pinx.”
• Right: “Claudia Stella Sculp. / 7.”

References:

• British Museum: Museum Number U,7.43 — https://www.britishmuseum.org/collection/object/P_U-7-43
• Rijksmuseum: Object Number RP-P-1988-323 — https://id.rijksmuseum.nl/200259034
• British Museum Curator’s comments on the series: https://www.britishmuseum.org/collection/object/P_U-7-37
• Anthony Blunt, “Jacques Stella, the De Masso family and falsifications of Poussin,” Burlington Magazine, vol. CXVI, December 1974, pp. 744–749.
• LeBlanc 7 (Charles Le Blanc, “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations,” vol. 3, 1856, p. 589, cat. no. 7)
• Nagler 6 (G.K. Nagler, “Neues allgemeines Künstler-Lexicon,” vol. 17, 1847, p. 308, cat. no. 6)

Price & Shipping:

AU$314 (approximately US$220.37 / €192.95 / £164.64), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you’re interested in acquiring this exceptional and large etching (with engraving)—created by one of the few historically documented female printmakers of the late Renaissance, exemplifying the period style of Mannerism—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Claudine Bouzonnet Stella, “Abduction of Christ”, c. 1694

Claudine Bouzonnet Stella (also known as Claudia Bouzonnet-Stella) (1636–1697)
“Abduction of Christ”, c. 1694 (1690–1697)

Technical Details & Condition:
Engraving with etching on heavy buff laid paper, with deckle edges on three sides, and wide margins as issued. This is plate 10 from the series of 13—or arguably 14—plates (see BM inv. U,7.37), “Life and Passion of Christ” (La Vie et la Passion du Christ, or Het leven en lijden van Christus), published in Paris with privilege from Louis XIV, after the intermediary design by Jacques Stella (1596–1657), and a painting of the same composition, previously attributed to Nicolas Poussin (1594–1665).

This is a richly inked, well-printed, and nearly faultless impression. Aside from minor marks and small tears along the edges, the sheet remains in excellent condition for its large size and age.

Dimensions:
• Sheet: 59.7 x 43.4 cm
• Platemark: 46.4 x 35.2 cm
• Image borderline: 43.8 x 34.5 cm

Lettering on Plate (below the image border):

• Left: “N. Poussin pinx.”
• Right: “Claudia Stella Sculp. / 10.”

References:

• British Museum: https://www.britishmuseum.org/collection/object/P_U-7-46
• Rijksmuseum: https://id.rijksmuseum.nl/200259037
• See the Curator of the British Museum’s comments about the series in which this print features: https://www.britishmuseum.org/collection/object/P_U-7-37
• Anthony Blunt, “Jacques Stella, the De Masso family and falsifications of Poussin,” Burlington Magazine, vol. CXVI, December 1974, pp. 744–749.
• LeBlanc 7 (Charles Le Blanc, 1856), “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations,” vol. 3, p. 589, cat. no. 7)
• Nagler 6 (G.K. Nagler, 1832–52), “Neues allgemeines Künstler-Lexicon,” vol. 17, p. 308, cat. no. 6)

Price & Shipping:
AU$314 (approximately US$220.99 / €189.36 / £164.94), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this exceptional and large engraving with etching—created by one of the few historically documented female printmakers from the late Renaissance, exemplifying the period style of Mannerism—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Claudine Bouzonnet Stella, “Christ Mocked by the Soldiers”, c. 1694

Claudine Bouzonnet Stella (also known as Claudia Bouzonnet-Stella) (1636–1697)
“Christ Mocked by the Soldiers,” c. 1694 (1690–1697)

Technical Details & Condition:
Engraving with etching on heavy buff laid paper, with deckle edges on three sides, and wide margins as issued. This is plate 9 from the series of 13—or arguably 14—plates (see BM inv. U,7.37), “Life and Passion of Christ” (La Vie et la Passion du Christ, or Het leven en lijden van Christus), published in Paris with privilege from Louis XIV, after the intermediary design by Jacques Stella (1596–1657), and a painting of the same composition, previously attributed to Nicolas Poussin (1594–1665).

This is a richly inked, well-printed, and nearly faultless impression. Aside from minor marks along the edges, the sheet remains in excellent condition for its large size and age—free of tears, holes, folds, abrasions, or significant stains.

Dimensions:
• Sheet: 59.5 x 43 cm
• Platemark: 45.5 x 34.3 cm
• Image borderline: 42.9 x 34 cm

Lettering on Plate (below the image border):
• Left: “N. Poussin in. et pinx.”
• Right: “Claudia Stella Sculp./ 9.”

References:
• British Museum: https://www.britishmuseum.org/collection/object/P_U-7-45
• Rijksmuseum: https://id.rijksmuseum.nl/200259036
• See the Curator of the British Museum’s comments about the series in which this print features: https://www.britishmuseum.org/collection/object/P_U-7-37
• Anthony Blunt, “Jacques Stella, the De Masso family and falsifications of Poussin,” Burlington Magazine, vol. CXVI, December 1974, pp. 744–749.
• LeBlanc 7 (Charles Le Blanc, 1856), “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations,” vol. 3, p. 589, cat. no. 7). Read online: https://archive.org/details/manueldelamateur03lebl/page/588/mode/2up
• Nagler 6 (G.K. Nagler, 1832–52), “Neues allgemeines Künstler-Lexicon,” vol. 17, p. 308, cat. no. 6). Read online: https://archive.org/details/bub_gb_jE1QmVcKYywC/page/307/mode/2up

Price & Shipping:
AU$314 (approximately US$222.35 / €186.55 / £162.39), including worldwide express shipping. Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this exceptional and large engraving with etching—created by one of the few historically documented female printmakers from the late Renaissance, exemplifying the period style of Mannerism—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Claudine Bouzonnet Stella, “Agony in the Garden of Gethsemane”, c.1670

Claudine Bouzonnet Stella (aka Claudia Bouzonnet-Stella) (1636–1697)

“Agony in the Garden of Gethsemane”, c1670 (1646–1697), plate 4 from the series of 13/14 plates, “Life and Passion of Christ (aka “La Vie et la Passion du Christ”; “Het leven en lijden van Christus”), published in Paris with privilege from Louis XIV (King of France), after the intermediary design by Jacques Stella (1596–1657), after the painting of the same composition previously attributed to Nicolas Poussin (1594–1665).

Engraving with etching on laid paper with wide margins.

Size: (sheet) 56.3 x 40.1cm; (plate) 45.2 x 34.1cm; (image borderline) 42.7 x 33.5cm.

Lettered in plate below the image borderline: (left) “N. Poussin in et pinx.”; (right) “Claudia Stella Sculp./ 4.”

Regarding the series of which this print is a part, the Curator of the British Museum offers the following insights:

“From a series of thirteen (or fourteen?) plates depicting the Passion of Christ.

The set is now thought to have been engraved after designs by Jacques Stella rather than by Poussin.

Indeed, Claudine Stella's will (1697) states that she owned a series of thirty paintings by Jacques Stella depicting the Passion, and that although she had intended on reproduce them, she had only been able to engrave ten plates (entry into Jerusalem; Last Supper; Jesus washing the Apostles' feet; the prayer at Gethsemane; capture of Christ; Christ before Annas; St Peter's denial; Christ before Caiaphas; Christ mocked by the soldiers; Christ led to Pilate). She bequeathed these paintings and these plates to her cousin Michel de Masso and explicitly asked him to engrave or to commission the engraving of the remaining plates. It is believed that De Masso or one of his heirs then replaced Jacques Stella's name by that of Poussin.

For practical reason, the whole series is kept under the name of Claudine Stella.

See Anthony Blunt 'Jacques Stella, the De Masso family and falsifications of Poussin', Burlington Magazine vol. CXVI, December 1974, pp. 744-749.” (https://www.britishmuseum.org/collection/object/P_U-7-37 [BM inv.no. U,7.37])

LeBlanc 7 (Charles Le Blanc 1856, “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations: ouvrage destiné à faire suite au Manuel du libraire par J.Ch. Brunet”, vol. 3, p. 589, cat. no. 7 [see https://archive.org/details/manueldelamateur03lebl/page/588/mode/2up]); Nagler 6 (G.K. Nagler 1832–52, “Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer, Kupferstecher, Formschneider, Lithographen”, vol. 17, p. 308, cat. no. 6 [see https://archive.org/details/bub_gb_jE1QmVcKYywC/page/307/mode/2up]); Andresen 197a; Wildenstein IX.

The British Museum offers the following description of this print: “Plate 4: agony in garden of Gethsemane; night scene with angel supporting the body of Christ, prostrated on the ground; several angels holding the instruments of the Passion have appeared before him, at right. before 1697/ Etching and engraving” (https://www.britishmuseum.org/collection/object/P_U-7-40 [BM inv.no. U,7.40]).

See also the Rijksmuseum’s description of this print: http://hdl.handle.net/10934/RM0001.COLLECT.179732.

Condition: a strong and well-printed (near faultless) impression with wide margins in an excellent condition for its considerable age with no tears or significant stains.

I am selling this large engraving (with etching) executed by one of the few historically documented female printmakers from the late Renaissance period for AU$314 (currently US $199.78/ EUR 190.99/ GBP158.14 at the time of posting this listing) including Express Mail (EMS) postage and handling to anywhere in the world, but not (of course) any import duties/taxes imposed by some countries. Note that payment is in Australian dollars (AU $314) as this is my currency.

If you are interested in purchasing this magnificent engraving exemplifying the period style of Mannerism, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.

This print has been sold