Showing posts with label Ghuy (Antoine de Marcenay de). Show all posts
Showing posts with label Ghuy (Antoine de Marcenay de). Show all posts

Sunday, 15 March 2020

Antoine de Marcenay de Ghuy's miniature etchings, “Three river landscapes and a forest view”, c.1778


Antoine de Marcenay de Ghuy (1724–1811)
“Three river landscapes and a forest view”, 1773–78, printed on a single sheet of wove paper (20 x 11 cm) backed with a support sheet. The Rijksmuseum offers a description of this set of four etchings:

UPPER ETCHING:
“Plate 49: Paysage un par une voûte de rochers” (Landscape one by one arch of rocks), c.1778
(platemark) 2.8 x 5.3 cm; (image borderline) 1.7 x 4.4 cm.
Lettered on plate below the image borderline: (centre) “No.49.”
Morand 63 (Louis Morand 1901, “Antoine de Marcenay de Ghuy, peintre et graveur, 1724–1811: Catalogue de son oeuvre. Lettres inédites et portrait de Marcenay de Ghuy d'après lui-même”, Paris, G Rapilly, p. 54 cat. no. 63); Le Blanc 61 (Charles Le Blanc 1854, “Manuel de l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les nations: ouvrage destiné à faire suite au Manuel du libraire par J.Ch. Brunet”, vol. 2, Paris, p. 600, cat. nos. 61–64).
The British Museum offers the following descriptions of this print:
“Landscape with in the foreground, a rocky arch opening onto a river landscape”

SECOND LOWER ETCHING:
“Plate 50: Un bois” (A wood), c.1778
(platemark) 2.9 x 4.7 cm; (image borderline) 2.2 x 4.9 cm.
Lettered on plate below the image borderline: (centre) “No.50.”
Morand 62; Le Blanc 62
The British Museum offers the following descriptions of this print:
“Landscape with stream running into left foreground, trees on either banks, and two figures on the left”

THIRD LOWER ETCHING:
“Plate 51: Rivère” (River), c.1778
(platemark) 3.8 x 9 cm; (image borderline) 3.5 x 8.2 cm.
Lettered on plate below the image borderline: (centre) “No.51.”
Morand 60; Le Blanc 63
The British Museum offers the following descriptions of this print:
“Landscape with river running on the right, and at left some rocky banks, with house standing at the top of a hill”
LOWEST ETCHING:
“Plate 52: Rivère” (River—note that Morand titles this plate with the same name as Plate 51), 1778
(platemark) 3.9 x 8.9 cm; (image borderline) 3.4 x 8.2 cm.
Lettered on plate below the image borderline: (left) “De Marcenay del, et Scul. 1778.”;  (centre) “No.52.”
Morand 61; Le Blanc 64
The British Museum offers the following descriptions of this print:
“Landscape with river running into right foreground, and in the left foreground, trees, a house and a round tower”

Condition: all four etchings are richly inked and strong impressions. Beyond a faint dot on the upper left edge,  the sheet is in excellent condition (i.e. there are no tears, holes, losses, creases, abrasions or significant stains) and is laid onto a support sheet of archival (millennium quality) washi paper.

I am selling this set of four tiny etchings of superb quality printed on the same sheet, for the total cost of AU$380 (currently US$235.09/EUR211.77/GBP191.34 at the time of this listing) including postage and handling to anywhere in the world (but not, of course, any import duties/taxes imposed by some countries).

If you are interested in purchasing these 18th century minature landscape masterpieces, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.


This sheet of etchings has been sold










s