Showing posts with label Firmin-Didot (Ambroise). Show all posts
Showing posts with label Firmin-Didot (Ambroise). Show all posts

Saturday, 4 April 2026

Giovanni Battista Piranesi & Francesco Piranesi, “Veduta per Angolo dello stesso Candelabro”, 1778


Giovanni Battista Piranesi (1720–1778), in collaboration with his son, Francesco Piranesi (1758–1810)

“Veduta per Angolo dello stesso Candelabro” or “Corner View of the Same Candelabrum” —referencing a related etching of the same candelabrum base viewed from the front [see Wilton-Ely 998], 1778

Technical Details & Condition:

Etching on heavy laid paper with a flattened centrefold, archivally supported on a fine sheet of washi paper. 

This is plate number 104 from the series of 110 plates titled “Vases, Candelabra, Cippi, Sarcophagi, Tripods, Lamps, and Ancient Ornaments Designed and Engraved by Giovanni Battista Piranesi,” initially issued in two folio volumes in 1778. This impression is from the second Paris edition (indicated by the added plate number), published by Ambroise Firmin-Didot (1790–1876) in 1836.

The depicted candelabrum base is located in the courtyard of the Palazzo Lante (also known as Palazzo Medici Lante), near the Church of Sant'Eustachio in Rome. I previously showcased another view of this colossal marble candelabrum in a different Piranesi print: https://www.printsandprinciples.com/2020/01/giovanni-battista-piranesis-etching.html.

The impression is richly inked, crisp, and well-printed. Aside from the flattened centrefold and minor marks, the sheet is in very good condition, free of tears or significant stains.

Dimensions:
• Sheet: 75.6 x 54 cm
• Platemark: 53.2 x 39 cm

Plate Lettering:

• Upper Centre: “Al Signor Giovanni Chetwynd Talbot Cavaliere Inglese / amatore delle belle arti / In atto d'ossequio il Cavaliere Gio. Batta Piranesi D.D.D.”
• Upper right: “104”
• Lower left: “Cavalier Piranese F.”
• Lower centre: “Veduta per angolo dello stesso Candelabro”

References:

• Wilton-Ely 999 (John Wilton-Ely, Giovanni Battista Piranesi: The Complete Etchings, vol. 2, 1994, San Francisco, Alan Wofsy, p. 1080, cat. no. 999)
• UTokyo Digital Archive Portal: https://da.dl.itc.u-tokyo.ac.jp/portal/assets/01c2aaa6-2223-48ba-aca7-a9c468d5956b

Price & Shipping:
AU$668 (approximately US$460.33 / €399.52 / £348.90), including worldwide express shipping. Import duties are the buyer’s responsibility.

If you are interested in acquiring this superb and impressively large etching, please contact me at oz_jim@printsandprinciples.com. I will be happy to provide a PayPal invoice to facilitate a smooth and secure purchase.

















Thursday, 23 January 2020

Giovanni Battista Piranesi's etching, “Candelabrum Base in the Palazzo Lante in St. Eustachian”, 1778



Giovanni Battista Piranesi (1720–1778)

“Candelabrum Base in the Palazzo Lante in St. Eustachian” (aka Candelabro ornato con diversi arabeschi. Si vede nel Palazzo dell Emo Card. Lanti a S.Eustachio” [Candlestick adorned with several arabesques. It can be seen in the Palazzo dell Emo Card. Lanti in S. Eustachio]), 1778–80, from the series of 110 plates (see Wilton-Ely [1994] vol. 2, pp. 961–62), “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi). First edition published in 1778. This impression is from the second Paris edition (indicated by the added plate number) published by Ambroise Firmin-Didot (1790–1876) in c.1835.

Etching with engraving on heavy laid paper with full margins and centre-fold (flattened) as published.
Size: (sheet) 82 x 54.8 cm; (plate) 53.1 x 39 cm.
Numbered on plate: (upper right corner) “92”.
Lettered on plate with dedication in Italian: (centre of upper edge) “Al Signor Cavaliere Giovanni Rous Inglese/ amatore delle belle arti/ In atto d’ossequio il Cavaliere Gio Batta Piranesi D.D.D.”; (centre of lower edge) “Candelabro ornato con diversi arabeschi. Si vede nel Palazzo dell Emo Card. Lanti a S.Eustachio./ Cavalier Piranesi F.”

Wilton-Ely II.1068.987 (John Wilton-Ely 1994, “Giovanni Battista Piranesi, The Complete Etchings”, vol. 2, San Francisco, Alan Wofsy, p. 1068, cat. no. 987); Hind 87; Giesecke 120; Höper 13.106; Ficacci (Taschen) 832.

Wilton-Ely (1994) offers the following description of this print:
“Candelabrum base with a merman flanked by snakes, and goat’s heads, cornucopias and other ornaments.” (p. 1068).

See also the description offered by the Metropolitan Museum of Art:

Condition: richly inked and near faultless impression with full margins and centre-fold (as published, but flattened). The sheet is in almost pristine condition for its considerable age (i.e. there are no tears, holes, folds—beyond the flattened centre fold of publication—losses, abrasions, stains, foxing or significant signs of handling—but there are small pencil notations at the lower corners from previous collectors and the back of the sheet has marks).

I am selling this huge etching in museum quality condition for a total cost of AU$668 (currently US$458.98EUR413.95/GBP349.50 at the time of this listing) including postage and handling to anywhere in the world.

If you are interested in purchasing this stunning etching of a candelabrum from the collection of Cardinal Lante—possibly a print designed to showcase a concocted artefact that Piranesi created and sold to the Cardinal based on Piranesi’s marketing of his partly restored and partly confected “antiquities”—please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.