Showing posts with label Muguet (François). Show all posts
Showing posts with label Muguet (François). Show all posts

Monday, 5 October 2026

Karl Audran, “Saint Francis of Paola in Prayer”, c. 1625, after Charles Mellin

Karl Audran (also known as Charles Audran and Karolus Audran) (1594–1674)

“Saint Francis of Paola in Prayer”, circa 1625

Contextual Commentary:

The composition is based on an altarpiece by the Lorrainese painter Charles Mellin (c. 1600–1649), originally created for the Royal Convent of Trinità dei Monti in Rome. Karl Audran engraved this print in Rome, circa 1622–1630. The copperplate was later acquired and brought to Paris, where F. Muguet published it in 1671 to illustrate Father Antoine Dondé’s book, “Les figures et l’abrégé de la vie, de la mort et des miracles de Saint-François de Paul...”. This impression is from the earlier Roman edition and bears the inscription “Romæ Sup. prm.” (short for Superiorum permissu — “with the permission of the superiors/authorities”).

The eight-line poem below the image brings together key elements of St. Francis’s life. The first four-line column plays on the irony of a holy man seeking to escape fame by hiding in the dense forests of Rome and Italy, only for his spiritual “light” to shine through nonetheless. In translation: “Neither Paula nor the vast Gallic world can contain you; You shun the allure of the shady grove, Choosing instead to veil your light in darkness And hide your deeds within the forest’s shade.”

The second column refers to St. Francis of Paola’s founding of the Order of Minims, a mendicant order. Unlike the Franciscans (Friars Minor, or “lesser”), Francis wanted his followers to be the least of all human beings. In translation: “You are known above the stars, Father, while wishing everywhere To be the lesser, you love the name and the omen of the Minim [the Least]. Thus Francis wanders without stain, for it is seen That where he is the least, he is thereafter the greatest to God.”

Technical Details & Condition:

Engraving on fine laid paper. The sheet has been trimmed slightly unevenly around the image borderline and is professionally supported by an archival-quality washi paper backing sheet. The image bears a historical grid of faint pencil lines, undoubtedly added by an early hand to square and copy the composition. Aside from a minor loss at the left image edge, which has been professionally replenished, the sheet remains in good condition, free of holes, folds, and significant stains.

Dimensions:

• Sheet: 42.2 x 27.9 cm

In-Plate Lettering:

• On oval medallion: “HVMI / L […] I / TAS” (Humilitas — the motto of the Minim friars founded by St. Francis)
• Below the image: (lower left): Carol° Mellin Lotaring° In et pinx.”; (left of centre) “Romæ Sup. prm.”; (right) “Carol° Audran Paris. sculp.”
• Two columns of four lines of Latin below the image: “Quem non Paula capit; non Gallicus amplior Orbis / Illicis vmbrosa fonde Latere putat / Sed qui opus tantum tenebris involvere lumen: / Syluarumq: vmbris abdere facta Inuat: // Es notus super astra Pater, Dum quolibet optans / Esse minor, Minimi nomen, et omen amas / Sic sine Labe errat Franciscus, namque videtur / Jnde ubi minimus, maximus Inde Deo est”

References:

• IFF 340 (Roger-Armand Weigert “Inventaire du Fonds Français Graveurs du XVIIe: ALIX [Jean]–BOUDEAU [Jean]”, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 1, 1939, p. 215, cat. no. 340) — Available via Bibliothèque Nationale de France (Gallica): https://gallica.bnf.fr/ark:/12148/bpt6k5489424r/f219.image
• Musée des Beaux Arts Nancy: Inventory number TH.99.15.1149 — https://collections-mba.nancy.fr/fr/notice/th-99-15-1149-saint-francois-de-paule-en-prieres-c39d39aa-0abc-4f56-aee2-d92dd0e828e9

Price & Shipping:

AU$308 (approximately US$213.98 / €191.15 / £161.86), including worldwide express shipping. Import duties and taxes (if any) are the buyer’s responsibility.

To acquire this large, sensitively executed, and very beautiful engraving, please contact oz_jim@printsandprinciples.com. Secure payment is handled via PayPal invoice for a smooth, protected transaction.




















Monday, 12 January 2026

Girard Audran, “Saint Aurelius Augustine, Bishop of Hippo”, c. 1679

Girard Audran (also known as Gérard Audran) (1640–1703)

“Saint Aurelius Augustine, Bishop of Hippo” (also known as “Sancti Aurelii Augustini”), circa 1679

Technical Details & Condition:

Etching on heavy laid paper with small margins, backed with a support sheet. The design is by Jean Baptiste de Champaigne (1631–1681), and the print was published in Paris by François Muguet (c. 1630–1702). It is understood that this print served as an illustration in one of the volumes of “Sancti Aurelii Augustini,... Opera omnia post Lovaniensium theologorum recensionem castigata... opera et studio monachorum Ordinis sancti Benedicti e Congregatione S. Mauri. Editio Parisina altera, emendata et aucta...”, published in 1679. For further reference, see IFF 27 (URL in references), and the first volume of this publication available on Google Books: https://books.google.com.au/books/about/Sancti_Aurelii_Augustini_Opera_omnia_pos.html?id=l0QM-UXESpEC&redir_esc=y.

The impression is strong and well-printed. Despite some minor holes (primarily in the upper and lower margins), and surface marks, the sheet remains in good condition—free from tears, folds, or significant stains.

Dimensions:

• Sheet: 41.5 x 26.6 cm

• Platemark: 39.4 x 24.8 cm

• Image borderline: 36.9 x 24 cm

Plate Lettering:

• Within the image borderline inscribed on scroll: “Charitas ex Deo est./ Oremus ergo ut abilo/ detur à quo jubetur.” (Translation: “Charity is from God./ Let us therefore pray that it may be given to the one who is able/ to whom it is commanded.”)

• Along lower edge of the image borderline: (left) “I.B. de Champaigne in.”, (centre) “ex Typog. F. Muguet”, and (right) “G. Audran Sculp.”

• Below the image borderline: (centre) “Hunc legat omnis qui salutem æternam adipisci desiderat, humiliter orans misericordiæ Dominum/ vt eundem spiritum intelligentiæ legens accipiat, quem ille accepit vt Scriberet, et eamdem illuminationis/ gratiam adipiscatur vt discat, quam kille adeptius est vt doceret. S. Fulg. L. 2. de ver. præd. et grat. C. 18.”

Translation of Latin text below the image: “Let everyone who desires to attain eternal salvation read this, humbly praying to the Lord of mercy/ that he may receive the same spirit of intelligence in reading that he received in writing, and may obtain the same grace of illumination in learning that he obtained in teaching.” The reference following this inscription is the recommendation by St. Fulgentius of Ruspe (c. 448–533 AD) for the study of St. Augustine's writings.

References:

• IFF 27 (Roger-Armand Weigert, “Inventaire du Fonds Français Graveurs du XVIIe: ALIX (Jean)–BOUDEAU (Jean)”, 1939, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 1, p. 129, cat.no. 27) (See https://gallica.bnf.fr/ark:/12148/bpt6k5489424r/f133])

• R-D 24 (Robert-Dumesnil, “Le Peintre-Graveur Français”, 1835–71, vol. 9, cat.no. 24)

Price & Shipping:

AU$224 (approximately US$150.20 / €128.77 / £111.54), inclusive of worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in this sensitively executed etching depicting St Augustine interrupted from his studies by the descending Holy Spirit in the form of a dove and a flaming heart, please contact me at oz_jim@printsandprinciples.com. I will gladly send you a PayPal invoice for a secure and straightforward purchase.

This print has been sold